A Quote by Betsy Brandt

For me, I think you make a choice what kind of actor you want to be, and then it's kind of the material you choose. — © Betsy Brandt
For me, I think you make a choice what kind of actor you want to be, and then it's kind of the material you choose.
I really don't want to go to work every day convincing myself of what I'm saying. I want the material to make me a better actor; then I try to return the favor to the material.
'Transformers' was important and defining for me because it taught me about what kinds of movies I want to make and the kind of actor I want to be, and I have a long way to go before I become that actor.
You have to edit the material. That assumes that some kind of a mind is operating in relation to the material. Not all minds are the same. Every aspect of filmmaking requires choice. The selection of the subject, the shooting, editing and length are all aspects of choice.
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
I'm not the kind of actor who runs around and insists on being called Stravinsky by everybody, and my family has to call me Igor. I'm not that kind of actor. I think that's pretentious.
I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.
Pain or perspective, that's the choice.' . . . You choose pain - you choose to fight it, deny it, bury it - then yes, the choice is always hard. But you choose perspective - embrace your history, give it credit for the better person it can make you, scars and all - the choice gets easier every time.
When you have a choice whether to be be right or to be kind, choose to be kind.
I just don't think that I could be the kind of actor I want to be and not be honest with myself. Honesty is very important to me as an actor and as a person. I didn't even think about it.
What kind of choice is it, really, when motherhood forces you into a delicate balancing act -- not just between work and family, as the equation is typically phrased, but between your premotherhood and postmotherhood identities? What kind of choice is it when you have to choose between becoming a mother and remaining yourself?
I choose to work behind the camera. And I kind of want to make the work and then run away. The presentation of myself really feels complicated for me.
I played Romeo when I was younger, and I think I did a couple kind Romeo-like parts after that, and I kind of went, 'I mustn't do this again. I must always choose something that I don't know if I'm a good enough actor to play.'
I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.
You can't worry too much about profile; otherwise, you become a different kind of actor, and that's not the kind of actor I want to be.
I love New York very much, and it was very important for me to spend my 20s in New York City. You're exposed to so much here, whether it's other people or just the grind of it and how hard you have to work. I think it forces you to define yourself: what kind of person do you want to be? What kind of woman do you want to be? And then inevitably, what kind of actress do you want to be?
What we love that 'The Way Back' is not subsidized, it's alive and kicking. And if I can't make the kind of film that I want to make, then the hell with it, I've had a great run. But I'm more concerned with the younger people coming up that want to make this kind of film.
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