A Quote by Betsy Sholl

coming to the end of spring / my grandmother kicks off her shoes / steps out of her faltering body. — © Betsy Sholl
coming to the end of spring / my grandmother kicks off her shoes / steps out of her faltering body.
For me accessories create and define a woman's personal style. The bag she carries, the watch on her wrist, her jewelry, her sunglasses, her shoes all define a look that is her signature. For Spring 2014, my accessory collections are about a clean, graphic boldness creating a new dimension redefining modern classics.
I think her Grandmother Hall gave her a great sense of family love, and reassurance. Her grandmother did love her, like her father, unconditionally. And despite the order and the discipline - and home at certain hours and out at certain hours and reading at certain hours - there was a surprising amount of freedom. Eleanor Roosevelt talks about how the happiest moments of her days were when she would take a book out of the library, which wasn't censored.
Her coming was my hope each day, Her parting was my pain; The chance that did her steps delay Was ice in every vein.
My grandmother used to get her shoes made in Paris in the '30s, and they would be shipped to her in Singapore.
Oh, Spring is surely coming, Her couriers fill the air; Each morn are new arrivals, Each night her ways prepare; I scent her fragrant garments, Her foot is on the stair.
Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks; her wanton spirits look out At every joint and motive of her body.
What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."
For some of us love comes into the room, kicks her shoes off, ?nds the most comfortable sofa, and lies down, rests, has no intention of going anywhere. For others love walks in smoking a cigarette, checking her watch every two seconds, jittery, with one hand on the doorknob, heart rate up, always in sprinter’s position, ready to run.
If you have a character stand up and put on her shoes and open the door, in order to do that, you're imagining her shoes and her clothes and her house and her door. The character becomes more real. But once you've done that, you can probably just get it all across with a couple of details.
I was very much raised by my grandmother, who actually was Bette Davis - looked like her, acted like her, talked like her. Probably, it was just out of my love and affection for my grandmother that I was interested in Bette.
My grandmother's house - she ran it just like her grandmother and her great-grandmother. They didn't have electricity. They had wood stoves that never got cold.
I miss my grandmother every day. I miss her vitality, her interest in the lives of others, her courage and determination, her perceptive wisdom, her calm in the face of all difficulties, her steadfast belief in the British people and above all her unstoppable sense of mischievous humour.
Sometimes we adopt certain beliefs when we're children and use them automatically when we become adults, without ever checking them out against reality. This brings to mind the story of the woman who always cut off the end of the turkey when she put it in the oven. Her daughter asked her why, and her mother responded, "I don't know. My mother always did it." Then she went and asked her mother, who said, "I don't know. My mother always did it." The she went and asked her grandmother, who said, "The oven wasn't big enough."
My grandmother was the matriarch. If you didn't have a place to stay, if you needed food, if you were just coming out of jail or rehab, you went to her. Watching her in our family and our wider community was what inspired me and still does.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
In the end, I take my shoes off and stick my feet in, letting the lukewarm water lick at my ankles. It feels good, and not just because I’m stoned. I make a mental note to add this to Dulcie’s list of things worth living for. For some reason, I keep seeing her rolling her eyes at me, that big, goofy grin stretching her face like Silly Putty. On my private list, I add her smile. She doesn’t have to know.
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