A Quote by Bette Midler
When I started in this [music] business, I had a dream, but it was amorphous, and I had no experience. I just had a fuzzy notion of what life would be like if I became what I pictured.
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Each time I had five hours of the poison going into me, I just pictured everything that needed to be burned away. I pictured wars, I pictured the things my father had done to me, I pictured brutality, and when it was over, I am light.
I had been to São Paulo the year before and became pretty well acquainted with the music of composer Antonio Carlos Jobim, I had already started playing that music, and the audience response had been pretty good because those songs are so melodic. I knew it would be something that would be appealing; I wasn't thinking that it would make the top of the pop charts or anything like that.
When Luke had descended into the River Styx, he would've had to focus on something important that would hold him to his mortal life. Otherwise he would've dissolved. I had seen Annabeth, and I had a feeling he had too. He had pictured that scene Hestia showed me—of himself in the good old days with Thalia and Annabeth, when he promised they would be a family. Hurting Annabeth in battle had shocked him into remembering that promise. It had allowed his mortal conscience to take over again, and defeat Kronos. His weak spot—his Achilles heel—had saved us all
By the time 1997 had rolled around, I had been in the music business for all my life, from the age of 15. I started recording professionally when I was 18. I had seen how record companies work, how the business works, and truth be told, I was pretty disgusted by everything by that time.
I had a life experience that most of my - that none of my friends had. I remember I became everybody's rabbi. Everybody who needed advice would talk to me, and it became an obvious thing.
With 'Pariah,' at the time, I had just come out. I had a coming out experience, and I was writing about it, transposing my experience as an adult: What would it have been like if I had been a teenager in Brooklyn? The funny thing was people thought I was from Brooklyn. I had to be like, 'No, I'm from Nashville.'
I started my blog back in 2009 because every Internet business and marketing seminar I watched at the time told me I had to. I had been trying to get a business started selling dating and life advice and was struggling.
In my late 20s, I realized that I had a very clear social conscience and strong opinions about things like diversity, equality, and education, and while I tried to become more politically literate, I just couldn't catch on. It felt like I had walked into a movie that had already started, and no one would explain what had happened.
In 2017, I boxed in front of a home crowd in Sheffield and became the WBA super-middleweight world champion. After four attempts I had finally fulfilled my childhood dream, and the experience was as great as I had always imagined it would be. It was without doubt the best moment of my career.
I am beekeeper, but I am also a writer, and some years ago, I sat down at a typewriter to experiment with words, to try to tease out of the amorphous, chaotic and wordless part of myself the reason why I was staying on this hilltop in the Ozarks after my first husband, with whom I had started a beekeeping business, and I had divorced.
I'm just so glad that I started acting when I did because I had this wealth of life experience. I don't know if I'd have been able to handle it had I gone out to L.A. at 22.
I started EWF because I had a vision, and music was playing in my head that I wanted to bring through. What I had in mind was exactly what Earth, Wind & Fire became.
I had business experience. I had made my living designing and building electronic equipment. Basic business was not new to me, but the music business was completely new to me. I knew nothing about distribution, or any of those things.
I had pictured myself as a filmmaker but I had never pictured myself as a director if that makes any sense at all.
Looking at the data and at my drug use and evaluating it carefully just let me see that I wasn't special, but my drug use challenged what I thought about cocaine. Because I would accept when I would say, "What happened to that person?" and someone would say, "They started using cocaine...they went downhill..." I would just accept that, even though I had a different experience and all these other people had a different experience. But I would throw that out because I thought my experience was an aberration.
So I realized when I was successful in a piece, it was because I didn't abandon a notion early on what it ought to be, and I let it take me along. So I've had songs that started out as being about the environment and ended up being love songs and love songs that ended up being about the environment. I've had things that I thought would be a poem and realized that it was just too big for that. I've got to do something larger and it became a play. I wrote one poem that started a whole play.
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