A Quote by Betty Friedan

Whatever I wrote was heretical. It offended the editors of the women's magazines. — © Betty Friedan
Whatever I wrote was heretical. It offended the editors of the women's magazines.
I wrote for magazines. I wrote adventure stuff, I wrote for the 'National Enquirer,' I wrote advertising copy for cemeteries.
I realized that what I was saying was threatening, somehow, to the editors of women's magazines. That it threatened the very world they were trying to paint, what I then called the "feminine mystique."
I love the architecture magazines and all of the French magazines for decoration or whatever. I end up enjoying them more sometimes than the fashion magazines.
For 30 years I wrote for newspapers and magazines, wrote books on the Dallas Cowboys' dynasties of the '70s and '90s, wrote about Michael Jordan in Chicago and Barry Bonds in the Bay Area, even wrote columns for ESPN.com from 2004 to 2006.
My dissertation was on the idea of feminine-themed women's magazines, so like how the ideal woman is put across by women's magazines.
Women from fashion magazines, they hate other women. They like to tell other women they are ugly and often it works. Women's magazines are mostly about the outside and not about the inside. About make-up instead of arts and literature. Its such a shame.
The error that we tend to make is that we think that women's magazines are what editors want and what their readers want - and thus are social indicators - when, in fact, they are what advertisers want. They're just advertising indicators.
A lot of women read male magazines. Of course, a lot of guys read female magazines, but they've got another issue to deal with. But a lot of women read men's magazines and think, 'Oh, this is what these guys are thinking? Studying up on the enemy here.'
I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
The poems were the only thing I wrote that was not for everyone else. Then my editors at Penguin, who were also friends and had seen several of them, aggressively urged me to do a book. Editors can be aggressive, especially after drinks. That's how 'Beyond This Dark House' appeared.
If you go off into general-interest magazines, often women are being shoved aside into various ghettos that perpetuate the problem. Women's interests are specialized, they're secondary; they're somewhere over to the side of the serious work that's being done. Throughout history, there have been ladies' magazines, ladies' journals, and for years there have been women writers who would refuse to participate in women-only sort projects because of that stigma.
My scripts, they're pretty serious. I basically just describe stuff. I don't put too many notes and letters to the editors. But when I wrote 'KGBLT,' in parentheses I wrote, 'Well this is the best thing I've ever written. It will all be downhill from here. I'm so sorry for the rest of my career.'
Men's magazines often feature pictures of naked women. Women's magazines also feature pictures of naked women. This is because the female body is a beautiful work of art, while the male body is lumpy and hairy and should not be seen by the light of day. Men are turned on at the sight of a naked woman's body. Most naked men elicit laughter from women.
I don't know of any science writing going on in women's magazines, unless you count medical stories about things like breast cancer. I still think there's a huge problem about how we can actively engage a wider range of women. I'm not saying women must be a separate audience - I'm just responding to the reality that the majority of people who do read science magazines are male. That's not a value judgment; it's a statistical fact.
One of the things I regret is that magazines now are so lifestyle-orientated that the opportunity to do bigger projects is gone. This is a serious misjudgment on the part of magazine editors.
You have to look at fashion from the perspective of high end editors and publications. Read all the magazines--commercial and underground--and your voice will evolve from what you see there.
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