A Quote by Betty Gabriel
Predominantly I've worked with Blumhouse, and they've been really great to me. We are extremely grateful for employment. But maybe my dark soul attracts these darker, horrifying stories. But I don't particularly close myself off to any employment - any stories, I should say.
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What I really would like to see is more female stories out there. Particularly older female stories, because women are predominantly ticket-buyers.
There is nothing derogatory in any employment which ministers to the well-being of the race. It is the spirit that is carried into an employment that elevates or degrades it.
We tend to think that employment is employment, and we don't ask the question: is this rewarding employment? Research establishes pretty clearly that typical notions of happiness - that more is better - really don't correspond to the way people think and feel.
I'm feeling really grateful. I'm feeling grateful that I've been able to participate in this game for as long as I have. I'm feeling grateful that I've been able to tell my stories. I don't know that my mom and dad are that grateful, or Carey [Hart, Pink's husband], but it's been good for me. I'm grateful if I've kept one girl from feeling different or ugly or unempowered.
We shall try to spirit the penniless population across the border by procuring employment for it in the transit countries, while denying it any employment in our own country .... expropriation and the removal of the poor must be carried out discreetly and circumspectly.
There is nothing like employment, active indispensable employment, for relieving sorrow. Employment, even melancholy, may dispel melancholy.
In the Great Depression, employment was not low because investment was low. Employment and investment were low because labor market institutions and industrial policies changed in a way that lowered normal employment.
Liberals say we should end employment discrimination. I say we should end employment.
My stories are not Christianized at all. I don't even have any Christians in my stories. What they are, are stories about ordinary people going through extraordinary circumstances in which I'm exploring truth. How light overcomes darkness in a way that's unmistakable to anyone who has any kind of faith.
I'm very interested in telling darker stories that maybe you are not used to seeing in animation. Especially because in animation you don't see those kind of stories.
Most of the stories I write are women's stories - but the darker, unseen stories.
AS SOMBRAS DA ALMA. THE SHADOWS OF THE SOUL. The stories others tell about you and the stories you tell about yourself: which come closer to the truth? Is it so clear that they are your own? Is one an authority on oneself? But that isn't the question that concerns me. The real question is: In such stories, is there really a difference between true and false? In stories about the outside, surely. But when we set out to understand someone on the inside? Is that a trip that ever comes to an end? Is the soul a place of facts? Or are the alleged facts only the deceptive shadows of our stories?
I think I probably am doing animation because I started as a kid and I learned on my own, and I worked by myself a lot. It's the only thing I really prepared myself to do in any kind of depth. And I've just kind of imbibed the technology and techniques and the thinking about telling stories this way. It just feels natural to me.
I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories.
So I found myself telling my own stories. It was strange: as I did it I realised how much we get shaped by our stories. It's like the stories of our lives make us the people we are. If someone had no stories, they wouldn't be human, wouldn't exist. And if my stories had been different I wouldn't be the person I am.
I dish the dirt out, and I can take it. But why should my mother and children have to take it? In 20 years, I have taken any number of stories, most of which are not true, without a murmur of complaint. But some stories you have to draw the line and say No.
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