A Quote by Betty Gilpin
I kept feeling like there were no parts for girl who want to play to the mezzanine.
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I'll always be figuring out what parts I want to play, because I want to play all parts. I'm a very hungry actress.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
When people say, 'You run like a girl; you play like a girl,' it's not what it used to be. That shouldn't be negative. You should be proud to play like a girl.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
So a part of you is broken when that’s gone. And part of you wants to have that rebellious feeling where you’re just like, forget it — I can do anything I want. I’ve tried it, and I’ve never been that girl. I’m always going to be the girl you want to take home to your parents, not for the night.
My imprint is there for the world to see. I don't try to hide it with my hair or a high collar. When I got ready for school this morning, I kept thinking of Sean. How proud he appears. Unapologetic. And I want to be like that. I don't want to look cowed or ashamed. I may not want to be this, but I don't want to be that girl, either. I don't want to be afraid.
I'm feeling really grateful. I'm feeling grateful that I've been able to participate in this game for as long as I have. I'm feeling grateful that I've been able to tell my stories. I don't know that my mom and dad are that grateful, or Carey [Hart, Pink's husband], but it's been good for me. I'm grateful if I've kept one girl from feeling different or ugly or unempowered.
I want to establish a wide range and play all kinds of parts. It's that sort of acting career I really respect. I like to turn a sharp left from whatever I've done before because that keeps me awake. That's why I want to be an actor - I don't want to play endless variations on one character.
I don't want to play everyone's best friend. I don't want to play the role of a girl struggling in the ghetto. It's not that that story isn't important, but I saw patterns, and was like, 'I don't relate to these people.'
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
I see you over there, just clinging to the wall. Because they told you like ivy you were bound to crawl. But you kept looking up, girl, and I know why. You knew someday you were gonna touch the sky.
When we found out we were having a child, I was like I want the child to be healthy, but when asked do you want a boy or a girl, I wanted a girl.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
What I'm after is a composed music that will sound like improvised music when improvisors play it. You shouldn't be able to tell what parts are being improvised and what parts were written out beforehand; it should sound like the same music.
Every girl is a singer. I wanted to learn the solos and play lead guitar. I would meticulously teach myself solos so when dudes were like, 'Oh, you're a girl, you can't play guitar,' I could rip these insane Telecaster blues solos and tell them, 'Yeah, I can burn up a fret board.'
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
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