A Quote by Betty Parsons
My reputation was built on hostility. I had no friends and some very virulent enemies in the old-guard art scene when I began. They threw their heavy artillery against me. They were convinced I was perverting the public taste.
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I can be on guard against my enemies, but God deliver me from my friends!
In the New Testament our enemies are those who harbor hostility against us, not those against whom we cherish hostility, for Jesus refuses to reckon with such a possibility.
God guard me from my friends, for I shall guard myself from my enemies.
I love to remember my enemies and I love to get my enemies. I had some enemies. I had people that really I helped a lot. And when I needed the help, in some cases, they were not there for me.
Take no duty of the Guard lightly. Friends must not be enemies Just as enemies must not be friends. Discerning the two is a life's work.
It became a question of taste. I have a certain taste in art history. And that - I had a huge library of art history books in my studio. And I would simply have the models go through those books with me, and we began a conversation about, like, what painting means, why we do it, why people care about it why or how it can mean or make sense today.
In my early twenties the nature of conservatism itself changed. When I identified as a fourteen-year-old conservative, it was closer to what we today think of as libertarianism - conservatism, at least for me, had been defined by Jeffersonian credos like "the best governed are the least governed" and "I have sworn eternal hostility against every form of tyranny over the mind of man" that were very idealistic and romantic to a kid.
Governments and the military purport to protect the public from enemies, and if there were no enemies they would have to invent some, for the simple purpose of rationalizing their existence.
A violent scene is art, as much as a sex scene is art. For me, all the scenes were a challenge.
I came in rather late in the casting process of Reaper. I believe they had all the other roles cast. They were having trouble finding the devil. They had seen almost 100 actors for the role. I got the script and I liked it - it was clever and witty and very, very funny, and a nice, fresh take on an old story. I went in and did a scene for the producers, the kitchen scene from the pilot where I'm cooking a chicken-fried steak. At the end of it, they all had a smile on their face, and they realized they had found their devil.
In a battle, as in a siege, the art consists in concentrating very heavy fire on a particular point. The line of battle once established, the one who has the ability to concentrate an unlooked for mass of artillery suddenly and unexpectedly on one of these points is sure to carry the day.
I had convinced my father to let me pursue this career, and I passionately wanted it. And here was this conflict in me, and I hadn't shared it with my father. And it was excruciating to always have your guard up. Particularly because, being an actor, you're public and visible. I could be seen coming out of a gay bar. Who could have seen me?
My father gave me some Jack Nicklaus MacGregor clubs when I was six years old. He cut down some of the shafts, but they were men's clubs, so they were heavy.
Maybe you could put it out there that I don't have a built-in dislike of ballads. That was kind of the reputation I had back in the Seventies. But I've come around. Ballads have become something of an acquired taste.
During the days of my youth, critics and art-lovers resorted freely to this term of abuse. Even some of the most renowned Old Masters were also pilloried as having manufactured insipid and sugary paintings that were offensive to good taste.
All the important human advances that we know of since historical times began have been due to individuals of whom the majority faced virulent public opposition.
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