A Quote by Betty White

You can always tell about somebody by the way they put their hands on an animal. — © Betty White
You can always tell about somebody by the way they put their hands on an animal.
It's always hard to watch something you create be put in somebody else's hands.
What annoys me about it is that your fate is always in somebody else's hands. It's always up to somebody else to decide whether or not they want you in their show and so the majority of actors have to play out a waiting game. The constant fear is that it could all end tomorrow.
If the right idea comes up, and it feels true to talk about somebody being in a truck, and that's the only way to tell the story, then I will reluctantly tell the story that way.
We didn't do training in grappling for Chiesa; I was about to put the hands on him, put the elbows on him, put the knees on him, put the hurt on him the way I'd trained for.
He loves me, he doesn't love my bowels, if they showed him my appendix in a glass he wouldn't recognize it, he's always feeling me, but if they put the glass in his hands he wouldn't touch it, he wouldn't think, "that's hers," you ought to love all of somebody, the esophagus, the liver, the intestines. Maybe we don't love them because we aren't used to them, but if we saw them the way we saw our hands and arms maybe we'd love them; the starfish must love each other better than we do.
Handbags, I don't at all like them because they occupy my hands. My hands always have to be ready in case I need to slap somebody.
Man is a thinking animal, a talking animal, a toolmaking animal, a building animal, a political animal, a fantasizing animal. But, in the twilight of a civilization he is chiefly a taxpaying animal.
Rod's a great singer. He's got a great voice, but there's no point to put a 30-piece orchestra behind him. I'm not going to knock anybody's right to make a living but you can always tell if somebody's heart and soul is into something, and I didn't think Rod was into it in that way.
I might tell a story about somebody else, but I don't sit there and do a story about somebody snitching on me selling coke because people know I didn't sell coke. So I just try to keep it real but still try to do it in a creative way.
And people who believe in God think God has put human beings on earth because they think human beings are the best animal, but human beings are just an animal and they will evolve into another animal, and that animal will be cleverer and it will put human beings into a zoo, like we put chimpanzees and gorillas into a zoo. Or human beings will all catch a disease and die out or they will make too much pollution and kill themselves, and then there will only be insects in the world and they will be the best animal.
Sometimes I'm trying to communicate a feeling. Sometimes I can't piece it together into any kind of coherant thesis. I'm just trying to evoke some kind of mood, and put some kind of idea in somebody's head. If Marshall McLuhan or Harold Innis were looking at it, they would tell you that the genre of rock music isn't the best way to deliver a political message because it distorts it, it makes it into entertainment. Perhaps the best political message is just to speak it to somebody. I think that's something I'm always writing about in songs, just how to mediate, how to present something.
Always watch the hands. The hands will tell you everything you need to know.
I tell you, that dragon's the most horrible animal I've ever met, but the way Hagrid goes on about it, you'd think it was a fluffy little bunny rabbit.
The fans care about somebody who cares about them. It's not all about somebody who can put the ball in the cup. I think that's my calling.
I can also tell in whose hands I am. Do these hands tremble? There can be no doubt: these are the hands of a military officer. Is it a firm pulse? I say without vacillating: these are the hands of a liberator.
Where exactly do you put your hands on somebody who hurts everywhere?
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