A Quote by Betty White

I'm blessed with learning easily. I've always had a good thing about memorizing quickly, and I just leave the script kind of open somewhere, and as I walk by I'll just take a swipe at it and then go on about my business and pretty soon it sticks.
I just take it as it comes, and if I'm not offered something, there's always a reason, and usually it's a pretty good one. I'm not worried about it. You know, I've had an incredible career, and I'm blessed.
I work pretty quickly. I'd probably draw somebody once or twice in pencil, then just go to ink. Not really care too much about it, and it just kind of worked out.
Now, a good education is about so much more than just learning geometry or memorizing dates in history. All of that is important, but an education is also about exploring new things -- discovering what makes you come alive, and then being your best at whatever you choose
I usually like to keep my hair and makeup routines pretty simple after I work out but always need a little bit of mascara to finish off the look. I just swipe some on and then am good to go for the rest of the day.
You still have to enjoy the tour games. If you go out there and just go through the motions, you can easily get into bad habits, you lose a bit of rhythm or a bit of form and then things can go pretty bad pretty quickly.
As soon as you start to think of that thing that you want to convey or say, you can always just say it much better than you can actually rhyme it or stuff it into a song. It's very, very difficult to just kind of get your point across without going the back way. And you have to be good at that, to not think about things so hard. Let the pen take over, so that it's somebody else's job to dissect the lyrics and tell you what you're all about.
I just couldn't believe that it [Into the Forest script] had fallen into my lap, because I felt so incredibly connected to my character, and I understood her, and I really...I haven't had that feeling about a script since I had read Thirteen or The Wrestler when I was just like, "No one else can do this." I just feel so passionate about it.
We're getting the blues about having to walk away from this whole thing. We enjoyed it a lot and it all felt good. We had a good experience on it. We thought we could do good work together. And it is unusual to get the next one, straight off the bed. John is funny. When he gets moving, he moves pretty quickly.
People take years learning how to act; it's a skill, not just a job. If I tried it out and thought I'd be OK, then perhaps I'd go for it, but it's not the kind of thing you can get into just because of your looks.
A tourist will just walk up to a Natchezian on the street and ask, 'Where does Greg Iles live?' And they'll say, 'Oh, right over there; just go knock on the door.' I've had people just walk into my office, walk into my house like it's a museum just open to the public.
Capitalism does what it does and money doesn't belong to anybody. It just stays in someone's wallet for a while, then it goes somewhere else. It always goes somewhere and it is always about to go somewhere.
When I go to throw a punch, actually, my intention is to hit somebody. That's just second nature to me. So you have to just rewire yourself. It's not something where you have to sit and subconsciously think about it, but you kind of have to just put yourself in that mode and go with it. Learning the fight scenes, I've never had to learn choreography before, so learning the fight scenes was like learning a dance or something like that. I had a little bit of influence in the fight scenes and I tried to put as much influence there as I could, but I had fun doing it.
The Iranian government has become pretty open about the drug problem in recent years. Opium use is a very traditional, cultural thing in Iran, so the government is actually more open about it than they are about some of the other ills in society. They just don't want to talk about things that might relate to a Western lifestyle even though they know that Iranians indulge. Because there is no real public life left in Iran - people go and have dinner and then everything retreats behind these Persian walls.
I've had this look for about a year. I usually grow this beard out around Christmas. I like to go to malls dressed as Jesus, and I like to then walk around the mall and go, 'No! No! This wasn't what it was supposed to be about, people!' Then if there's a Santa at the mall, I walk up to him and say, 'Listen, fat man, you're just a clown at my birthday party.'
It was in Australia. I started in Cairns and went up to Cape Tribulation, Port Douglas and then went to Fraser Island. It was there that I thought was quite heavenly. I just decided to go back packing somewhere and that's where I picked. It was just before I got the role in Hot Chick. A friend wanted to me to go to Australia and I was thinking my career is just starting, it's not a good time to leave but she told me that my career would always be there and I was only going to get more immersed in it, and she was right. So it was a good time to go.
The airplane is just a bunch of sticks and wires and cloth, a tool for learning about the sky and about what kind of person I am, when I fly. An airplane stands for freedom, for joy, for the power to understand, and to demonstrate that understanding. Those things aren't destructable.
This site uses cookies to ensure you get the best experience. More info...
Got it!