A Quote by Betty White

So much of the humor on new sitcoms plays to the lowest common denominator. Wit isn't nearly given as much attention as slipping on a banana peel. So much of the writing is so coarse, so obvious that it doesn't provide a shock, never mind a laugh. What makes something funny is alluding to it without laying it out explicitly. You let the audiences fill in the gaps and that's where the laughs come.
The thing is to be brave and move the audience with you, instead of cater to the lowest common denominator, you know, slipping on a banana peel and falling on your ass. You got to move the audience a little further ahead in terms of their appreciation of what is comedy. It's complicated.
When you slip on a banana peel, people laugh at you; but when you tell people you slipped on a banana peel, it's your laugh. So you become the hero rather than the victim of the joke.
In organizations where nothing much happens regardless of whether you do something exceptional or just show up in the morning, the best people lose heart and motivation is reduced near the lowest common denominator.
When you slip on a banana peel, people laugh at you. But when you tell people you slipped on a banana peel, it's your laugh.
Laugh not too much; the witty man laughs least: For wit is news only to ignorance. Lesse at thine own things laugh; lest in the jest Thy person share, and the conceit advance.
I love working with Erica [Durance]. She's so much fun. And I love how flippant, comfortable, and casual the relationship is. There is so much humor there, and they make each other laugh. It is obvious how much they adore each other. I really like that.
I think network TV to a large extent has underestimated the intelligence of the American public for so many years now. It's tried to appeal to the lowest common denominator. I think the average viewer is much more intelligent than that and crave a little more complexity and are willing to pay more attention.
People need a time to laugh. It's up to us to bonk ourselves on the head and slip on a banana peel so the average guy can say, 'I may be bad, honey, but I'm not as much of an idiot as that guy on the screen.'
People... need a time to laugh. It's up to us to bonk ourselves on the head and slip on a banana peel so the average guy can say, 'I may be bad, honey, but I'm not as much of an idiot as that guy on the screen.'
We've all seen comedians look like they're reaching just a little bit too much for the laugh. This is counterproductive. The conceit of standup is that it is effortless, which makes the prospect of generating new comedy a tricky one: you are trying to be funny without looking like you are trying to be funny.
Nine-tenths of the value of a sense of humor in writing is not in the things it makes one write but in the things it keeps one from writing. It is especially valuable in this respect in serious writing, and no one without a sense of humor should ever write seriously. For without knowing what is funny, one is constantly in danger of being funny without knowing it.
Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."
Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.'
I love seeing somebody act real earnest and serious, like Jackie Gleason. He makes me laugh because he reflects back to me my own serious-mindedness and how ridiculous it all is. It's always easier to see somebody else in that position than yourself, and you laugh. It's like the classic slipping on the banana peel, or someone getting hit by a pie in the face. Why do those things make us laugh? Is it from relief, like: Thank God it wasn't me? Or is it something else: I'm being very serious now. I'm pontificating earnestly and solemnly about-POW! PIE IN THE FACE! The bust-up of certainty.
You never advance without losing something en passant... you lose it because you're paying so much attention to the new thing.
The more repression there is, the more need there is for irreverence toward those who are responsible for that repression. But too often sarcasm passes for irony, name-calling passes for insight, bleeped-out four-letter words pass for wit, and lowest-common-denominator jokes pass for analysis. Satire should have a point of view. It doesn't have to get a belly laugh. It does have to present criticism.
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