A Quote by Beverly Pepper
It was important that I learn that what I wanted was no different from what other artists wanted: confidence that I could be my own censor, audience, and competition.
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I wanted a new experience, to learn another language. I wanted to be different. I wanted people to realise I'm taking my coaching career very seriously. I wanted to create my own pathway.
I started off just trying to make a wish list for myself. I wanted to work with people I really admire myself. I wanted to work with other artists from other scenes so they could make my songs improve in a different way - people who have artistically different things to say.
I wasn't the most confident of cooks, but I just persevered, and I wanted to learn, and I wanted to be a sponge, and I wanted to be better than the next person, and I wanted to learn as much as I could, so I just kept pushing, and it took me a long time actually to be confident in my technique and my ability as a cook.
To be fair, when I started doing 'Verdict' I literally had no idea what I was doing. I wanted to do some theatre, as I wanted to do something different. I wanted to learn and get an understanding of the craft.
One of the reasons I wanted to start a company is because I wanted an environment that I wanted to work in. I wanted people to be able to have a life - for it to be OK to leave for a lacrosse game or a doctor's appointment. So I think women do work differently; it's important to have both men and women. They offer different things.
We played for peanuts. But we did what we wanted to do, we heard what we wanted to hear, we performed what we wanted to perform, we learned what we wanted to learn.
What I wanted to do and what I needed to do was something entirely different, and through reading Roussel I learned that I could do what I wanted all on my own and that I didn't have to rely on what had actually happened in my somewhat limited life and reading.
It was like I couldn't even begin to tell my mom I was singing. I didn't want anyone to think that she was trying to get me to sing. I wanted to prove to myself I could do it on my own. I really wanted to do a completely different thing.
I used to be focused on being the dopest rapper in the game, and then once that became what I was, I wanted something different, and I wanted to become the best businessman in the game. I wanted to learn how to master the business like I mastered the rap.
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I wanted to be self-sufficient, I wanted to take care of myself, and I wanted to learn. I wanted to travel, I wanted to see the world and have my eyes opened. I wanted to be consistently challenged, and I knew I needed to be creative in some way. When I got my job in a bar and I could pay for my tuition and go on auditions and sometimes get jobs that I loved and pay my rent, I knew that I would be all right. That's when my dreams came true, long before the telephone rang and someone said, 'Come and meet Tom Cruise'".
I came at a time where male artists where dominating, so I had to do something quick to get people's attention. I wanted to let people know that women artists can hold their own compare to the men. Sex got their attention, while I open the road for the other female artists.
I wanted to show that 'I'm sexy'. I wanted to do things that other male solo artists hadn't done before, such as choreography that has a tempting allure.
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In the Middle Age, in Germany, if you wanted to learn addition and multiplication, you could go to any university. But if you wanted to learn division, you could only do it in one place, Heidelberg. This makes sense, since in my theory with Vladimir Retakh and Robert Wilson, addition and multiplications are cheap, but division is expensive.
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