A Quote by Beverly Pepper

I realized... that the artist is always alone. Early in life I had thought I needed other people to confirm or approve what I was doing. — © Beverly Pepper
I realized... that the artist is always alone. Early in life I had thought I needed other people to confirm or approve what I was doing.
I had never realized how much I needed the attention of others to confirm my own presence.
I never had aspirations to go into politics or medicine. I always wanted to be an artist of some sort. I wasn't so politically motivated. I felt that the world from an early age was disappointing. My father taught me about the bomb, and it was eye-opening. From then on, I thought grown-ups needed to do a better job. I still think that.
I realized I needed to work with other people instead of doing everything myself.
I remember early on, in my very, very early days, I had a makeup artist tell me that I needed to get an attitude. I had no idea what he was talking about.
I've always been an environmentalist, but my life changed the day I had children. I realized that I wasn't doing enough to protect the planet. People need nature, and of course I want my children to have the best possible opportunity in life. I also realized how important it was for me to raise them to be conscientious people that are aware of their impact on the earth.
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
I found ways to maintain my performance through working with professionals and doing things that other people weren't doing. Later in my career, I had a great physical therapist who kept me out on the track. We were doing innovative things like ice baths back in the early '80s when everyone else thought it was crazy.
In other things the knowing artist may Judge better than the people; but a play, (Made for delight, and for no other use) If you approve it not, has no excuse.
I realized that even though I had this urge, this longing, to write about other people, in order for it to be emotionally gripping, I needed to be in there somehow.
I realized relatively early on that I had no desire to be a mother whatsoever. I actually love children, but specifically other people's.
I thought, 'Okay, what's going to be my edge, and how am I going to define what I'm doing differently?' Once I had that key idea of the software developer as an artist, once I had that idea, a whole bunch of other ideas flowed from that, because I realized that I need to go study the music industry, I need to study the book publishing and Hollywood and figure out how they do things, why they do them that way, and then I need to borrow, and rearrange, the things that they're doing to fit my industry so that I can invent and create this new industry.
All this time, Lev ever realized what he needed. He did not need to be adored or pitied. He needed to be forgiven. Not by God, who is all forgiving. Not by people like Marcus and Pastor Dan, who would always stand by his side. He needed to be forgiven by an unforgiving world.
I realized that what I was looking for was doing collaborations with other people - people who can play a ballad, rock, jazz. I was looking for more co-op type things than what I had been doing, which had been completely my own trip.
She often had to remind herself that she couldn't do everything alone. She wasn't always the best person for the job. Sometimes she got tunnel vision and forgot about what other people needed.
I learned very early in life that I was always going to need people more than they needed me
Since the early 1990s, I had been very worried about the state of the environment, and by the end of that decade, I realized I needed to do something about it.
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