A Quote by Bharati Mukherjee
I don't feel the depression the people who are always looking back to the '50s, to 'Father Knows Best' feel. I can see the coming of another glorious era.
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My father was an entomologist who believed in continental drift. In the early '50s, that was regarded as nonsense. It was in the mid-'50s that it came back. Someone had thought of it 30 or 40 years earlier named Alfred Wegener, and he never got to see it come back.
I always feel sad, to be honest, to see people badly injured. That's important because if someone's life is being changed like that it's extraordinarily important for that person - and you can't forget whether it was ten years ago, twenty or today. So I feel the same each time - I feel sad but I also feel that I should do the best I can to make it the best I can for them. So that's how I cope - by working.
I feel like I put it together better than anybody else. I don't feel like I'm the best dancer. I don't feel like I'm the best singer. I don't feel like I'm the best looking. I feel like I'm the best at putting it all together.
I feel very lucky. The older I get, the more I see how random everything is, the luckier I feel to have been born into this context; the more responsible I feel to be the best that I can be as a person and as a professional. That was a quality... of the men on my father's side of the family.
I've always said that I feel lucky to live in the era of social media and be a working model in this time. Back in the day, models were just another face. But social media has given people a voice and not just another face. Not only can you show the world your personality and stuff like that, but you can be a brand ambassador easily.
Once people see this 'Unplugged,' I just want them to feel the spontaneity, to feel passionate... I want you to see another side of me, that's free, and feel where my head is, where whatever happens, happens. I want you to feel inspired.
Now being 41 and looking back on my career... It became natural for me to revisit Inglewood and to revisit the coming-of-age movie, but not wanting it to feel like a period piece completely about nostalgia but wanting it to feel like something that was relevant today and also forward-looking.
Don’t hide love. If you feel it, express it-not to demand that others love you back, but simply to live outwardly the best of what you feel inwardly. The worst that can happen to your heart is not rejection by another person but failure to act on the love you feel.
I always write with an audience in mind. If I feel that [connection] coming back at me then I feel like I'm doing my job. That's why people come to my music - for some emotional experience or a perspective, either on their own lives, or on the world that they're living in.
Growing up, all I saw was my parents trying to be the best people they could be, and people coming to them for wisdom, coming to them for guidance, and them not putting themselves on a pedestal, but literally being face-to-face with these people and saying, "I'm no better than you, but the fact that you're coming to me to reach some sort of enlightenment or to shine a light on something, that makes me feel love and gratitude for you." They always give back what people give to them. And sometimes they keep giving and giving and giving.
At that elusive moment when we transcend our ordinary performance and feel in harmony with something else-whether it's a glorious sunset, inspiring music or another human being-our studies have shown that what we are really coming in sync with is ourselves. Not only do we feel more relaxed and at peace, but this entrained state increases our ability to perform well and offers numerous health benefits.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
The end of an age is always a time of turmoil, war, economic catastrophe, cynicism, lawlessness and distress. But it is also an era of heightened challenge and creativity, of issues, and their world-wide scope, never has an era faced a more demanding and exciting crisis. This then, above all else, is the great and glorious era to live in, a time of of opportunity, one requiring fresh and vigorous thinking, indeed, a glorious time to be alive.
Looking back, I feel bad for treating the girls the way that I have. I just hope that he knows that I'm a good person and I hope it doesn't get in the way of what could be, like, the best thing that's ever happened to me.
I do think that we all draw limits and I feel like part of the work of an artist is it shouldn't be fun. This shouldn't be comfortable. I'm not looking to make people feel unsafe, but I am looking to make people feel uncomfortable.
If you're a gardener, or creating a garden you're clearly looking to the future. You have a sense of your own future and a sense of yourself in that space. People coming here feel that hope, that renewal, and that sense of regeneration. They get their hands dirty and connect back to the ground, which is what we feel strongly about - giving everybody the opportunity to get connected to the earth.
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