A Quote by Bhartrhari

Fate's sentence written on the brow no hand can e'er efface. — © Bhartrhari
Fate's sentence written on the brow no hand can e'er efface.
Many men would take the death-sentence without a whimper, to escape the life-sentence which fate carries in her other hand.
The first sentence cant be written until the final sentence is written.
I have not written a perfect sentence, in the literary sense. It's a lot easier to throw a perfect pass than to write a perfect sentence, if that sentence is meant to perform more than a mechanical function.
The turn of a sentence has decided the fate of many a friendship, and, for aught that we know, the fate of many a kingdom.
I've never found it helpful to treat fate with a gentle hand. Everytime I've stroked, hopin' fer a favor, she's slapped me hand and laughed at me. If ye want something, take fate by the throat and shake it out o' her.
Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it.
O'er the rugged mountain's brow Clara threw the twins she nursed, And remarked,'I wonder now Which will reach the bottom first?
The Greek idea of fate is moira, which means "portion." Fate rules a portion of your life. But there is more to life than just fate. There is also genetics, environment, economics, and so on. So it's not all written in the book before you get here, such that you don't have to do anything. That's fatalism.
Tis mighty easy o'er a glass of wine On vain refinements vainly to refine, To laugh at poverty in plenty's reign, To boast of apathy when out of pain, And in each sentence, worthy of the schools, Varnish'd with sophistry, to deal out rules Most fit for practice, but for one poor fault That into practice they can ne'er be brought.
What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow.
A dependent clause (a sentence fragment set off by commas, dontcha know) helps you explore your story by moving you deeper into the sentence. It allows you to stop and think harder about what you've already written. Often the story you're looking for is inside the sentence. The dependent clause helps you uncover it.
Who was this women?' asked Harry. 'I dunno, some Ministry hag.' Mundungus considered for a moment, brow wrinkled. 'Little women. Bow on top of er' head.' He frowned and then added, 'Looked like a toad.' Harry dropped his wand. Harry looked up and saw his own shock reflected in Ron and Hermione's faces. The scars on the back of right hand seemed to be tingling again.
Say, care-worn man, Whom Duty chains within the city walls, Amid the toiling crowd, how grateful plays The fresh wind o?er thy sickly brow, when free To tread the springy turf,— to hear the trees Communing with the gales,—to catch the voice Of waters, gushing from their rocky womb, And singing as they wander... Spring-hours will come again, and feelings rise With dewy freshness o?er thy wither?d heart.
Life is but one continual course of instruction. The hand of the parent writes on the heart of the child the first faint characters which time deepens into strength so that nothing can efface them.
When the injustice is great enough, justice will lend me the strength needed to correct it. None may stand against it. It will shatter every barrier, sunder any shield, tear through any enchantment, and lend its servant the power to pass sentence. Know this: There is nothing on all the Planes that can stay the hand of justice when it is brought against them. It may unmake armies. It may sunder the thrones of gods. Know that for all who betray justice, I am their fate. And fate carries an executioner's axe.
Fate rules. You follow the steps and you plan and you work. Then fate slips in laughing and makes fools of us. Sometimes we can trick it or out guess it but most often its already written. For some its written in blood. That doesn't mean we stop, but it does mean we can't comfort ourselves with blame. It's easier to take the blame than to admit there was nothing you could do to stop whatever happened.
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