A Quote by Bhumi Pednekar

Actors don't make a project; a project makes the actors. — © Bhumi Pednekar
Actors don't make a project; a project makes the actors.

Quote Topics

While you can be trained and groomed to be a better actor, seasoning happens only to TV actors. TV actors shoot every day, and that makes a difference to the project. They are hard-working, but that's not taking anything away from the film actors.
Most actors have a process that they can go through, that they rely on, or that they've discovered, and that can evolve from project to project.
I'm not one of those actors who needs the media spotlight all the time to feel gratified. I'm happy to do one project a year and take the rest of the year off as long as that project is special.
For actors, when you first get the project and you see that it's a Steven Spielberg, Tom Hanks and Gary Goetzman-produced project, right away, from an acting standpoint, you go, 'Wow. That'd be great to be part of that. What a career move that'd be.'
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project. My background are acting, film production, directing, and I studied them for many years. Keep in mind that you need many other skills when you are starting any film project related to real life.
When the government undertakes or approves a major project such as a dam or highway project, it must make sure the project's impacts, environmental and otherwise, are considered. In many cases, NEPA gives the public its only opportunity to be heard about the project's impact on their community.
As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project.
In general, a film's delay is disheartening for actors, but it's harder on the director and the producer who have been on the project for longer than anyone else. While actors move on to other projects, the film's makers don't.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I like a sensitive script, interesting and respectful directors and co-actors, producers who understand the creative needs of a project. A happy unit in which everyone collaborates to try and make something compelling.
I talked to everyone about the project: actors and extras, members of the crew and passers by.
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
But in the years since the neoliberal project really has been stripped down to what was always its essence: not an economic project at all, but a political project, designed to devastate the imagination, and willing - with it's cumbersome securitization and insane military projects - to destroy the capitalist order itself if that's what it took to make it seem inevitable.
I've been really lucky that I've kind of gotten to flow from project to project, because I find it's very important that when you're on a project, you are so invested in it.
My favorite actors are people who I don't know anything about, and I can project any character onto them.
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