A Quote by Bhumi Pednekar
I feel, in our culture, the girl with any sort of power is called 'difficult' or various words that are demeaning just because she has a voice, has confidence, and stands for her rights. It is sad, but it is the truth of our country.
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She read it again. It was fascinating and surreal, like reading a diary that had been hers when she was a teenager, secret and heartfelt words written by a girl she only vaguely remembered. She wished she'd written more. Her words mad her feel sad and proud, powerful and relieved." p 272
Marilyn was terrible to work with. I was fond of her, she was a nice girl, but she was a damaged girl. She was very difficult. You couldn't get her on the set; she didn't know the words.
We will continue our journey to our destination of peace and education. No one can stop us. We will speak up for our rights and we will bring change to our voice. We believe in the power and the strength of our words. Our words can change the whole world because we are all together, united for the cause of education. And if we want to achieve our goal, then let us empower ourselves with the weapon of knowledge and let us shield ourselves with unity and togetherness.
I think there are so many young girls out there who may be discouraged by the images they see in magazines or on TV, because it's such a media-driven culture. But people will be a lot more accepting of themselves when they feel included. Through my website, I'm in touch with a 13-year-old girl from Brazil; like me, she was born with a piece of her arm missing. She thanked me for the work I'm doing and said I give her strength, inspiration and confidence. Showing a young girl like that how you can be happy and have feelings of confidence is one of my biggest achievements to date.
When I looked at her, she appeared to be a different person from the one I'd known... She had rewritten everything, our history together, our friendship. Now I was the girl who'd stolen Andres; the girl who'd lied to her about who I was. Therefore, she owned me nothing.
A girl has the power to go forward in her life. And she's not only a mother, she's not only a sister, she's not only a wife. But a girl has the - she should have an identity. She should be recognized and she has equal rights as a boy.
I think the relationship [in Aquarius] with her nephew shows that she's not nostalgic. She just wants to preserve what is important to her - her records, her books, even some furniture. She doesn't want to leave that house because it is her home. That is where her kids were born. After moving so much in my life, I was touched by Clara's need to stay in that apartment. I love her life, and that may be why I connected to her so strongly. We are the most alike when we are fighting for our rights.
Just like Marilyn Monroe is a lot of girls' idol, that's how I feel about Dorothy Dandridge. And she any Marilyn were very close friends. She went through a lot, and people told her that she couldn't do certain things, but she didn't let that bother her. She said in her mind that she was going to do them and that nothing was impossible, and she did it. It was so sad... She died from drugs, and drinking as well.
The words burned on her tongue, but Minerva couldn’t give them voice. What a hopeless coward she was. She could pound on his door at midnight and demand to be respected as an individual. She could travel across the country in hopes of being appreciated for her scholarly achievements. But she still lacked the courage to ask for the one thing she wanted most. To be loved, just for herself.
You and I both know there's got to be some greater storyline for you than 'girl gets heart broken, was sad forever'. I think a nice one would be 'girl gets heart broken, was sad for a while but in her heartbreak she found freedom, friends, and the ability to look back and laugh at all she'd learned. She now lives her life on her own terms and still has fantastic hair.'
We met Ferg at one of our shows in L.A. She gave us her number. For the song 'Shut Up' on Elephunk, we needed a vocalist. Someone said 'yo, remember that white girl - we should get her in the studio.' Since then, we've become friends. She's one of the guys now, she isn't just a girl.
I want to give my daughter that Caribbean influence. But also, just being a black girl in this country, I want her to grow up with culture and confidence, and with love.
The one radio voice that I listened to above others belonged to Ella Fitzgerald. There was a quality to her voice that fascinated me, and I'd sing along with her, trying to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words.
Every day, my mom and I would watch a different Judy Garland VHS. I love how she tells a story when she sings. It was just about her voice and the words she was singing - no strings attached or silly hair or costumes, just a woman singing her heart out. I feel like that doesn't happen that much anymore.
We [ with Russel Crowe] had an Arabic coach there [ in the Body of Lies] that was really helpful, because it was more so than any accent. You have to be so exact, and there's different dialects of Arabic from country to country so it was really, really difficult to tell you the truth. And one of the hardest things I've ever had to do language-wise, because it comes from the throat. It's different. And also learning about the customs and the culture and all that, so we had advisors for that sort of thing.
When I looked at [Fannie Lou] Hamer and that speech it seemed to me that she had to be the bravest woman ever, to come before that body and to assert her rights, when she knew that she was going lose that battle. But she did it anyway, because she knew she was speaking not just for herself and for that day, but for me, and for all the other young women who were coming behind her. She didn't know our names, but she was working for us. I find that incredibly empowering.
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