A Quote by Bhushan Kumar

Getting into film production was obviously the next step once we had consolidated our music business. — © Bhushan Kumar
Getting into film production was obviously the next step once we had consolidated our music business.
Film was something that I didn't see as a step up from music videos, though obviously, music videos, the fact that you work with a crew and a film camera, are the closest to film I've ever been. That is the only schooling I've ever had.
I attended a post-college program in L.A. for Music Business and Production. Took several courses involving Music Production, Arrangement, and Songwriting.
Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.
At Wolves I just had all the experiences - disappointment and then obviously getting promoted and stuff like that, but then taking it to the next level and getting into Europe as well.
My first job in the film business was working as a production assistant, and then a production manager on a documentary about Townes Van Zandt.
The effect of metals speculation was to push up the prices that China had to pay to countries like Australia. This squeezed China. Once the speculative demand ended, all of a sudden the added production facilities that had been brought into production by the high prices went out of production again, and there was a glut.
On the golf course, playing cards, running to the casinos, betting on college and pro football, it keeps spilling over to the next step, the next step, the next step. I basically started giving people information that I was receiving in the locker room, injury reports.
It's really hard in this day and age, with radio and MTV being so consolidated, to get new music out there. I think we've become a really legitimate, viable avenue for getting new music out there.
DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that I'd like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.
When Kenny first came to me, I think he was thinking of making a nice little folk record, but in my opinion, folk music had come to an end and I felt he needed to go to the next step, the next generation.
'Straight Outta Compton' was such a great movie, and obviously, I'm in the music business, so getting to see that piece of history was amazing, and it was an incredible movie.
DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that Id like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.
A very odd thing happened to my career when I got The Wire. My career was pretty much a steady climb; I didn't really flatline much. When I did The Wire, that's when I thought all the doors would open, but that's when things flatlined. I had a really hard time just getting seen for film, which was the next step.
You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.
Basketball was always my first love, but once I had a good year as a senior, I figured the next step was to play college football.
After I finish any film, I move to the next one. It takes about a year to write and another six months are for pre-production and other things. You need a minimum of two-and-a-half months for the shooting of a new film. Then, I also edit my own film.
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