A Quote by Bhushan Kumar
Both 'Thappad' and 'Tanhaji' were films that we believed in and we're proud to support.
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We support films like 'Thappad' and so on, but if we aren't brave enough to speak up for ourselves and stand for what is right, is there any point in celebrating movies that promote this?
I grew up in a time when people believed in duty, honor and country. My grandfathers were both officers. My father was a General in the Air Force. My brother and I were both in the Army. I've always felt a kinship with soldiers; I think it's possible to support the warrior and be against the war.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
We are backing good content-driven films. The company has movies like 'Bharat,' 'Tanhaji: The Unsung Warrior,' 'De De Pyaar De,' and 'Bhuj: The Pride Of India.'
People who have been watching my performances, my films, have been a big support. If they are proud of my filmography and work, I am proud of what I have done.
People are proud to be from Baltimore. In any industry you work in, you need support to survive. And this city has that support for anyone who was born here or lived here. And it also gives you the feeling, 'Oh, I stand for this place. And if I do something I'm not proud of, I might not make my town proud.' And I want to make Baltimore proud.
I think my films kind of walk this line that I'm proud of, that they feel sort of like films of my youth, which were far more commercial.
I think my films kind of walk this line that Im proud of, that they feel sort of like films of my youth, which were far more commercial.
I was proud to be an original cosponsor of the Violence Against Women Act when Congress passed it in 1994, and was proud to support the previous renewals in 2000 and 2005. These bills always enjoyed large, bipartisan support.
Were Sridevi and Jaya Prada rivals? Look, I worked with both extensively. I even did films in which both were my co-stars. I never saw then being anything but thoroughly professional with one another.
It was believed by the purveyors of male fantasies in films that nurses were a popular male fantasy because they were caring, and they were women who could legitimately touch men all over.
I'm really proud to represent both cultures, Canadian and Indian, and hopefully I'm making both countries proud as WWE champion.
Filmmakers need to give the audience that something extra, an incentive to spend money and go to the multiplex - the ticket prices are high. Otherwise they'd just stay home, buy DVDs or download movies. But if there were only big budget movies it would be impossible for the film industry to survive. So I emphasize the importance of mid-range films. But those films need the support of theatre owners. The theatre chains have to have the vision to realize the need to support smaller films for the growth of the domestic film industry.
I took a break from TV for about three-four years. During that time, I had to let go of some of the best shows that were offered to me, as I wanted to focus on films. It was believed that if you are seen too much on TV, you won't get films.
I am inspired by both Japanese Samurai films, in particular the films of Kurosawa, and how they share the spirit of American Westerns, with the influences running in both directions, and including the 'Spaghetti Westerns' and films of Sam Peckinpah.
We both [with Jo Andres] think that it is really important to our culture that we support all kinds of music, all kinds of theatre and all kinds of art because you never know what moves people. We've always believed that there should be a strong voice outside the commercial world. Certainly, the commercial world has a huge place in our culture and we also support that - but, we also want to support the stuff that lives outside of that.
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