A Quote by Bhuvneshwar Kumar

In my mind, I work out situations. Like, how I should play if I bat for four overs, or how should I approach myself if its 10 overs. These are things I work at the nets.
Between 50 overs and 20 overs, there is a big difference, because there is 30 extra overs of fielding and six extra overs to bowl, and that can take its toll.
In T20, there's a time shortage because you've got four overs. In one-day cricket, you relax, and the game goes long, and you only win the game in the last 10 or 15 overs.
When I made my First-Class debut, my first spell was of 10 overs. So I was always used to bowling lot of overs in Ranji Trophy, which always helps.
In T20, even when you are sticking with the same processes you can just as easily go for 40 or 50 runs in your four overs as take two for 20. In those situations, you are bound to be upset even when the game is over but it is OK to feel you should have done better. It's such an unpredictable game.
You so often see bowlers pick out a lovely new ball from the bag at nets and it looks great when it swings in the air and nips off the seam with batsmen playing and missing. But you have to simulate match situations. What about when the ball is 60 overs old, the sun is blazing down, the pitch is flat and there's not a hint of movement?
If you want to play the game and win, you've got to play 'full out.' You've got to be willing to feel stupid, and you've got to be willing to try things that might not work - and if they don't work, be willing to change your approach. Otherwise, how could you innovate, how could you grow, how could you discovery who you really are?
I think the story should always determine the visual approach. There are situations where you want things to feel alive and like life, and there are situations that should have some magic and the separation with the grain.
To be honest, there is a special gift for doing voice-overs, and the people who did the voices in the 'SpongeBob' cast are excellent at cartoon voice-overs, and they bring something extra to the reads.
Young children seem to be learning who to share this toy with and figure out how it works, while adolescents seem to be exploring some very deep and profound questions: 'How should this society work? How should relationships among people work?' The exploration is: 'Who am I, what am I doing?'
Young children seem to be learning who to share this toy with and figure out how it works, while adolescents seem to be exploring some very deep and profound questions: how should this society work? How should relationships among people work? The exploration is: who am I, what am I doing?
You can't make three or four spinners bowl the exact number of overs. You don't see the number of overs bowled by them before you make a bowling change; you see who looks effective and make a bowling change.
In Ranji cricket, I am used heavily as a bowler, but in international cricket I hardly get four overs, and sometimes I never even get to bowl and bat at number eight.
People sometimes focus on the red button hot topic issues and I'm, like, you know, who cares about priestly celibacy? I'm thinking about how am I forgiving my enemies? How am I turning the other cheek? How am I loving my neighbor as myself? To me that's 10,000 times more difficult than to say should priests be married or not be married? I'm, like, I think we're wasting all out energies on the wrong thing. Let's work on the most difficult stuff.
According to the situation, your role changes in one-day cricket, especially in a phase like the Powerplay. If I bowl four spells, four times I will be playing a different role. If I come in the first Powerplay, and say the opposition are 70 for no loss after 10 overs, I will be looking to take a wicket.
My role is to play out the full overs.
I like to promote my work. I do the promotion for my work because that is required. Apart from that I just don't know how to promote myself, to be honest, I think my work ideally should speak for itself.
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