A Quote by Bianca Belair
I really get enjoyment and fulfilment out of making my own gear and being creative.
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Really, the proper study of economics is fulfilment, not consumption... It doesn't even matter if it's a green product or a green house... It's still consumption. What matters in this world is the fulfilment of people's needs and the fulfilment of their aspirations.
I don't get that much enjoyment out of saying 'I own it.'
Making art, being creative, is risky, especially for actors, but everybody on the set is being creative. You're putting yourself out there with ideas, and to have your brain be free of stress so that it can actually do its best work, it feels like you want to have a real sense of intimacy and connection and trust with everybody.
The whole period has taught me that I enjoy being part of an ensemble rather than just a front man. Don't get me wrong - I enjoy that too, but I get more enjoyment out of really listening to everyone.
Winning awards is great. Everyone wants to put a feather in their cap but for me the ultimate validation comes when you're standing on top of a peak and the weather's moving in and you're trying to manage logistics with your client, whether its food, water, shelter, and really there's only one constant out there: I know the last person I'm going to get to take care of is myself, so my gear has got to work. I take a lot of pride in knowing Eddie Bauer makes the best gear out there.
I have limited interests. I really like all sorts of gear. Guitar gear. Recording gear. Stuff like that. I like music, you know.
I get enjoyment out of writing, but I get absolutely no enjoyment out of rewriting, so I don't do much of it. The more you work on something, certainly, the better it gets. But there's also a pretty clear law of diminishing returns. It drives me crazy to do readings of my books, because if I read anything I've written in the past, I'd like to almost rewrite everything.
I get more fulfilment from being a father than I do from being an actor.
Being out on the ocean seems like a different world to being in the mountains and the backcountry, but there is also a lot of symmetry. They each have their own biorhythms from a motherly embrace to tempestuous wrath. What I love about being out in nature is that you are at the mercy of your own decision making.
If somebody asked for the first draft of something I'd written, it'd probably be pretty close to whatever got published. I get enjoyment out of writing, but I get absolutely no enjoyment out of rewriting, so I don't do much of it. The more you work on something, certainly, the better it gets. But there's also a pretty clear law of diminishing returns.
I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
When I was nine, I asked my Dad, ‘Can I have your movie camera? That old, wind-up 8-millimeter movie camera that’s in your drawer?’ And he goes, ‘Sure, take it.’ And I took it, and I started making movies with it, and I started being as creative as I could, and never once in my life did my parents ever say, ’ What you’re doing is a waste of time.’ Never….. I know there are kids out there that don’t have that support system. So, if you’re out there and you’re listening, listen to me: If you wanna be creative, get out there and do it. It’s not a waste of time.
I don't like necessarily that people think 'Metal Gear' defines me. I love 'Metal Gear,' don't get me wrong. But as a creator, I really want to work on other projects, including new games.
If I'd waited to know who I was or what I was about before I started "being creative," well, I'd still be sitting around trying to figure myself out instead of making things. In my experience, it's in the act of making things and doing our work that we figure out who we are.
I pride myself in collaborating and being a creative director, and creative direction isn't putting my opinion first. It's supporting an artist so they get the most out of the project.
You can get the oldest drum machine out and whack out four sounds like a kick, snare, and two types of high-hat, and try and come up with the freshest thing on the spot. The gear can guide you - you can choose one bit of gear and it's obviously got its restrictions and its limitations, but at the same time, you've got to exploit what it's capable of and what it's best used for.
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