A Quote by Bianca Belair
I can never get my ideas across to people where they totally understand it completely, so I'm just like: 'I'm going to do it myself, cause nobody can do it like me.'
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Someone yelled at me once, 'You never write about yourself.' People used to get so mad at me for that. But my definition of myself is completely up for grabs. I'm everywhere, just like we all are.
The Israeli mentality was totally different to mine. They just didn't understand people like me. They couldn't understand why I had been in a ghetto. We were totally different.
I'm everybody's friend, unless they don't like me. And then, I just totally can't understand that. I actually can't. I get really hurt if someone doesn't like me. It's weird.
I was going through a time where I was like man I wanted all of my clothes to be totally understated and I would do pop color with hats from a line called Ale et Ange out of New york City. They created all these hats and I just thought they were super fresh and the only way that I could really get them across...I was just like, 'Let me make everything mute and just put on the hat.'
I don't know how much of a natural human I am. Y'know, the truth is, I never set out to do that, and I don't think of myself like that. I don't think like that. It's not really about promotion - I don't really understand the idea of promotion, talking to a camera for more money. That's just money. And I like money, don't get me wrong. I don't know. I don't get it. I don't understand it as much as you don't understand me, I think.
I've been out to LA a couple of times but, over there, the Grenouille in me always comes to the surface. I feel completely terrified, totally flummoxed, like I don't understand what the hell is going on. I've no desire at all to go back there.
I've been recognized every now and then. It's always in computer stores. It's something like brain associations, because I'll be in the grocery store and nobody will recognize me. Even in my glasses, looking exactly like my picture, nobody will recognize me. But I could be totally clean-shaven, hat on, looking nothing like myself in a computer store, and they're like, "Snowden?!"
When I'm meditating on an idea, I try to let the idea completely saturate me to the point where I feel like I'm covering myself in it or totally immersing myself in it, so that everywhere I'm looking, everywhere I'm going, it's through the lens of that idea. And that's sort of what I do with the music - I try to lose myself in it.
Criticism on my works is like this: you've worked hard all of your life, you went to Oxford, and you've done this and that, and you're an art critic. Your job is to unravel the "secret" or whatever, and you come across an entity like me. It's going to piss you off. Because there's no great secret, what you see is what you get, and anyone can understand what I'm doing. So, it's almost like I make this critic-person redundant, just by my attitude, and they resent me for that.
Like people coming up to me like, 'Nobody ever told you that you look like Lil Baby?' But I'll be like, nah. Or like, somebody told me that. I'll never just say, it's me.
The people of Wisconsin have been good to me. I've tried to live up to their trust. And now I ask those hardworking men and women, and millions like them across America, to join our cause and get this country working again. When Governor Romney asked me to join the ticket, I said, 'Let's get this done' - and that is exactly, what we're going to do.
I remember the horror story that I told myself over and over again. I'm totally alone in my body. I'm totally alone in my head and nobody will ever see through my eyes. I'm just completely alone.
I'm an electrical engineer, and when I first started out, there was nobody who looked like me out there. I worked at Qualcomm, and I remember coming into meeting rooms, and I could never get the floor. I could never get my opinion across.
I've written with people who aren't like me, then I've written with people who totally get it. It's like a blind date, and you never know what's going to happen. But it's really cool because they learn from you, and you learn a little bit from them. And sometimes it works out, and sometimes it doesn't.
It's so hard for people to give up their cell phones or their ideas of being connected to everything all the time in order to get an immersive experience. That's the best way to make art. It's almost like you have to treat it like you're going into a submarine, and Noah Baumbach totally agrees with that. There's not a real other life that happens outside of the movie while it's being shot, which I like.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
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