A Quote by Bianca Belair

I always say that one of my main goals - I look up to the Four Horsewomen. When I was in NXT, I remember just looking at the Four Horsewomen and standing in in the locker room thinking like, Wow, they used to be here in the same spot that I'm at, and now they're on Raw, and they're on SmackDown. They're doing these amazing things.
I just look at like, if I'm doing 200 plus dates a year on the road with Raw or SmackDown, or I'm doing a manageable load of 30 to 50 matches with NXT - I can do four years of that in the time that I do one year on Raw or SmackDown.
I do believe that Raw, SmackDown, and NXT are the three brands, and I think that people can come from Raw or SmackDown to NXT, and I think that people from NXT can go to Raw or SmackDown. It's very interchangeable.
The inspiration that the Four Horsewomen were for me and think that I'm an inspiration for other women that are coming behind me is an amazing feeling.
I was the first woman in a Hell in a Cell match that wasn't part of the Four Horsewomen, so there was a lot of pressure involved.
A different demographic of people watch NXT compared to Raw and Smackdown; NXT is followed by the real knowledgeable, hardcore internet audience, whereas the main shows have a more family feel.
I trained with a locker room and roster full of men, and we were all a family, and they all took care of me like their little sister. It's what I want out of a locker room. I think it helps the locker room, and it's a part of the success of the NXT women's division.
I say it often, that I feel like I'm just living out the Story Mode in 'Smackdown vs. RAW' that I always used to play.
I wanted to be a part of WWE and part of NXT first, as, if I went to 'Raw' or 'SmackDown' right away, I would always wonder what NXT would have been like.
There's a level of exposure that 'Smackdown' and 'Raw' get that other brands like 'NXT,' 'NXT UK,' and '205 Live' do not get. But at the same time, I feel like I would not be who I am without '205 Live.'
Starting out, you're just doing it because you love it so much; that's what I remember about us. Looking back now, some of the things that seemed like big obstacles seem so small now - 'Wow, how will we get through this?' But we always did.
At seventy-four I'm getting minor raves on my looks, but I'm caught in the middle. Who knows what seventy-four looks like? Who cares? But if I'd listened to my friends, I could now lie and say I'm eighty-four. For eighty-four, the way I look is spectacular.
But I will say that Harve Presnell... he was one of those guys who, when you're standing in a room with him... he's such an older masculine force that I remember thinking, 'Wow, his voice makes me sound like Pee-Wee Herman.'
Any time guys move to 'Raw' and 'SmackDown,' I think that is what has kept NXT so relevant and has kept the fans so invested because they are now conditioned that whoever leaves or comes in, NXT, as a product, is going to give really exciting sports entertainment every time.
When I was on SmackDown, there wasn't really competition against Raw in our locker room. It was more about how we could build the brand as a whole, not so much against Raw. I think that drove us to show what our women could do.
I like the energy of doing things fast. We shot 'Starred Up' in just four weeks, and we edited it in four weeks.
You called me at four thirty-four....I hate four thirty-four. I think four thirty-four should be banned and replaced with something more reasonable, like, say, nine twelve.
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