I was trying to do my own version of 'Cha-Cha Slide.' I was hoping someone, just someone, please dance to this song. It started to happen at my shows; the front row fans started doing the dance.
Anytime you join a show that's been successful, there's a certain responsibility. And a lot of anxiety that, you know, you're bringing the character to life, respecting the show and doing your part. So that you are not the weak link in the chain.
The good Samaritan, he's getting dressed, he's getting ready for the show. He's going to the carnival tonight on Desolation Row.
Anytime you see Beyonce, Jay Z, Kanye West. Anytime a young black person's doing good, that's motivation for everybody else. Anytime, anytime, it's motivation. Use that fuel to push you forward. That's what I did.
When someone decides to come to the U.S., he knows what he's getting into.
Getting on stage doing standup anytime is hard. You never know what you're going to say. You live and die on your next word.
It won't ruin our movement if someone gets killed in an animal rights action. It's going to happen sooner or later. The Animal Liberation Front, the Earth Liberation Front - sooner or later there's going to be someone getting hurt. And we have to accept that fact. It's going to happen. It's not going to hurt our movement. Our movement will go on. And it's important that we not let the bully pulpit of the FBI and the other oppression agencies stop us from what we're doing. They are the violent ones. They are the terrorists ... we have to keep doing what we're doing.
Anytime you find someone more successful than you are, especially when you're both engaged in the same business - you know they're doing something that you aren't.
They couldn't have a little kid occupying an important spot on the front row, so I sat in the back where all the models changed clothes. I remember vividly the rustling and the rush of the fabrics of the clothes and the swoosh of textures and color as they went by. I was in the back, but I had a front-row seat, in my opinion.
I want the dude in the top row to feel like he's down there on the front row in a club.
You'll never see me in the front row of a fashion show. I'm uninterested in it; I find it trivial and banal and boring.
I'm hesitant anytime someone puts a contract in front of me that has two-year options.
When you play a show or festival, people know what they're getting; they want it. Then you're thrown onto a show where people are watching TV in their houses, and whether they ask for it or not, we're being played in front of them. There's a lot of negative feedback.
I had never been to a fashion show before going to the Burberry show last month. It was an extraordinary spectacle. I was incredibly green and had no idea what an undertaking it is. I also have a new respect for models because they are so close to the front row and must be so self-conscious.
It was noted long ago that the front row of burlesque houses was occupied predominantly by bald-headed men. In fact, such a row became known as the bald-headed row. It might be assumed from this on statistical evidence that the continued close observation of chorus girls in tights caused loss of hair from the top of the head.
We're living in a time when the most famous people in the world have no specific skill set and are known for living their lives in front of the world. How strange is that? The appeal makes sense to me - it's like 'The Truman Show,' getting a chance to peak into someone's bedroom or see the way someone fights with their husband.