A Quote by Bianca Lawson

My dad and I used to do movie marathons when I was a kid at the Chinese Theatre, and I just remember thinking, 'One day I want to have a movie here' And then later on, when 'Save The Last Dance' premiered there, that was definitely a full circle moment.
I have so much to grapple with, I don't think too much about me. People call it the "dance of a thousand egos" when you make a movie. If only I had time to worry when I was making a movie about what the hell I was doing. It's sort of a marathon every day. And then at the end of it, you beg the producers for five more marathons.
I remember being a kid, I was a little kid when my dad took me to 'Munchausen.' I guess he took my whole family, but I kind of didn't want to go for some reason. Then we got there, and I was so mesmerized by the movie, and I was really taken by the young Sarah Polley. I didn't realize until many, many years later that it was Sarah Polley.
I'm pretty much a movie-to-movie guy. It's hard for me to multitask so I feel very one-thing-at-a-time oriented and I usually just wait until a movie's done and it's premiered, then just kind of reflect on what I'm interested in my own life and let the movies come to me rather than force them.
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
You live and die two or three times making a movie. First, you write it, and the first pivotal moment comes when you can get it made. The second is in the process of making it, when the movie reveals itself to you, its flaws and its virtues. Then the most unnerving moment is when that movie is then launched into the world. It’s like bringing your kid to the first day at school and somebody points out that it has bowlegs, it is cross-eyed, or it’s gorgeous. You feel very exposed.
If someone said, "Here, you have your pick, you can do either a musical, Moulin Rouge type of movie, where you sing and dance, or an action movie, or a Shakespearian or Elizabethan movie," I would definitely love to do a movie that was based on a musical, where I would get to sing, dance and act, all at the same time.
I remember watching 'Avengers 1' for the first time and thinking, 'God, one day I want to be in one of those movies.' I just want to be in the movie.
I've always been blessed with confidence. I am a glass-half-full person. My first movie, 'Private Benjamin,' got turned down by every studio until the very last one, but I just kept thinking, 'Why are you people not seeing that this is a hit movie? What is wrong with you?'
A movie moment in a theatre would never be comparable to the same movie moment elsewhere no matter how cheap the big TV becomes.
If you watch a Chinese movie with subtitles, it's just like watching an Arabic movie with Chinese subtitles. That explains why you can't take Chinese language movies and expect them to go abroad.
Yeah, I definitely wanted to do a kids' movie because I have a kid. I want to do things that my daughter can see soon - when she is old enough to know what a movie is.
I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure."
I never really took into account the number of homeless families. As a kid, we used to feed the hungry at my church every other Saturday, and one day this kid from my school was there. Somewhere between that moment of realization and appreciation for what my Dad sacrificed for us to have, and me becoming "Anthony Mackie" I lost it. This movie [Shelter] really made me realize that, and it was very humbling and very sickening to see that within myself.
My mom and dad used to call me 'full drama'. Mom had many videos of me as a kid where I was doing some dance moves, and suddenly the next moment, I was on the floor.
I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
Every two, three years there is a movie about the Holocaust because they want you to remember and they want you to be reminded of what it was. When was the last time you seen a movie about slavery?
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