A Quote by Bibhu Mohapatra

My work is always very geometric. — © Bibhu Mohapatra
My work is always very geometric.
They certainly aren't connected with the old geometric art. My work isn't geometric in that sense.
Within the human consciousness is the unique ability to perceive the transparency between absolute, permanent relationships, contained in the insubstantial forms of a geometric order, and the transitory, changing forms of our actual world. The content of our experience results from an immaterial, abstract, geometric architecture which is composed of harmonic waves of energy, nodes of relationality, melodic forms springing forth from the eternal realm of geometric proportion.
My forms are geometric, but they don't interact in a geometric sense. They're just forms that exist everywhere, even if you don't see them.
Modern man lives more and more in a preponderantly geometric order. All human creation mechanical or industrial is dependent upon geometric intentions.
The effectiveness of work increases according to geometric progression if there are no interruptions.
Geometric shapes hold an energy pattern, and scientists did some experiments which say certain geometric shapes can affect matter around them. It's simply because when a human looks at a shape, they instantly receive energy from their brain.
Most problems I work on are related to geometric structures on surfaces and their deformations.
Geometric calculus consists in a system of operations analogous to those of algebraic calculus, but in which the entities on which the calculations are carried out, instead of being numbers, are geometric entities which we shall define.
All my work comes from perceiving. I kept seeing things that were brooding in me. I'm not a geometric artist.
I always found it satisfying that gravity was described by Einstein's geometric theory of general relativity.
I use geometric and mathematical ideas to organize material, but those are tools. The purpose of the work is not to expose that at all, but to arrive at some kind of expressiveness.
I was a very hard-edged geometric painter, strongly influenced by [Piet] Mondrian and [Theo] van Doesburg and that sort of thing.
In geometric and physical applications, it always turns out that a quantity is characterized not only by its tensor order, but also by symmetry.
I don’t have a problem with recognition ... It’s very, very rarely about who I am, it’s always, ‘I love your work.’ ... It’s always in relation to my work, which I think is a really lucky thing to have happen as opposed to, ‘Oh, you’re a famous personality’.
I don't have a problem with recognition... It's very, very rarely about who I am, it's always, 'I love your work.'... It's always in relation to my work, which I think is a really lucky thing to have happen as opposed to, 'Oh, you're a famous personality.'
I'm always trying to be the best, on and off the pitch, is also very important. I've always taken things very seriously, since I was very young, and that's reflected in my career. Always being nominated, winning trophies for the club or individual awards, that's the culmination of many years of dedication, hard work and professionalism and that makes me very happy.
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