A Quote by Bibi Bourelly

I got to meet Kanye West because we were shopping my artist deal, and I was interested in his label. When I met him, I played him all the records I had. He introduced me to Rihanna, and she recorded and cut some of those records.
Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.
We have signed with Artemis Records. Originally they were our distributor for 'Group Therapy'. My former manager (Chip Quigley) started a record label (Recon Records) and had Artemis Records as their distributor. Unfortunately, the way the label was run meant that it didn't turn out the way that we thought it was going to be. We simply got into something that was different to what we initially thought
When I first started out in the music industry and went to Elektra Records, I didn't go to be an artist, I went to get a record label started. And they said in order to have a label deal, I had to be an artist - so that's what I did.
My wife, when I met her, she had a remarkable record collection. And they were all still in their sleeves! I couldn't believe it. She took care of her records. Rachmaninov, Beefheart. For me, most of my records were out of their sleeves and in a drawer somewhere. I married a record collection.
By the latter part of high school, by the middle of junior year in high school, Jay Rodriguez played me some Irakere records that that Paquito [D'Rivera] was on. And he also played me and our friend, Curtis Haywood, some Phil Woods records. And when I heard Phil, I just about lost my mind. I was playing the Charlie Parker Omnibook as part of my lessons. This was the '80s. There was no YouTube and all that. And we had three or four jazz records at that point.
What made me want to become a recording artist; I was the first artist that was repeatedly asked by a label to record with them. That label was Def Jam Records.
I have nothing against Kanye West. Help me with this - I'm not dissing him - this is about how people talk about him. With the last album he did, he got all the best beatmakers on the planet at the time to make beats for him. A lot of the time, he wasn't even there. Yet no one would question his authorship for a second.
It was [Kanye West] who spoke, and then we met and recorded some songs. After, you know what it is: we all bump like crazy.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
[Polythene Pam] was me, remembering a little event with a woman in Jersey, and a man who was England's answer to Allen Ginsberg, who gave us our first exposure - this is so long - you can't deal with all this. You see, everything triggers amazing memories. I met him when we were on tour and he took me back to his apartment and I had a girl and he had one he wanted me to meet. He said she dressed up in polythene, which she did. She didn't wear jackboots and kilts, I just sort of elaborated. Perverted sex in a polythene bag. Just looking for something to write about.
I decided I was going to go to Wall Street, and I was introduced to some people... I met a guy who knew a bond trader at Pressprich, and he got me to meet him and the guy that ran their sales department, Jack Collin.
I don't think, like, 'I've got to sell so many records here, or so many records there.' That's the record label's job. They've got to worry about how were doing in Kazakhstan or Germany. My job is just to write and sing.
Once I heard Karunakaran was part of 'Lingaa,' I told him to somehow arrange for me to meet Thalaivar. The 'Jigarthanda' team met him when he was shooting in Shimoga. It was a memorable meeting, as he opened the door for us, sat, and answered whatever we asked him. And, I got to meet him twice in two days!
With brain hacking experiments, I've hacked into Morgan Freeman's brain. He was the most famous and the most nerve wracking because I got really awestruck when I met him, and the moment I was introduced to him, he challenged me there and then to hack his brain.
It is not that I don't like contemporary country music because I do. I love it. I have recorded a lot and have had great success recording records that have not been very traditional country records.
The tent in which she first met him had smelled of blood, of the death she did not understand, and still she had thought of it all as a game. She had promised him the world. His flesh in the flesh of his enemies. And much too late had she realized what he had sown in her. Love. Worst of all poisons.
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