A Quote by Big Daddy Kane

I went to this club in North Carolina and saw Sharon Jones and the Dap-Kings perform. Just looking at the demographics of the audience, I thought it was interesting. A few weeks later, I was at the same spot to see Talib Kweli perform. And 60-70 percent of the crowd were the same people.
It has to be really interesting for me to perform the same role for 365 days non-stop. It becomes taxing for an actor to perform the same character for 12 hours every day, and then, after a point, there's no growth.
In all my years in show business - on stage, clubs and TV shows - my audience has been 75 percent white. In Las Vegas and Atlantic City I look out at the crowd and only see a few black faces here and there. But I can't allow myself to be conscious of the race factor. I couldn't perform my best under those conditions.
There are war-torn countries, people full of poverty, who still voted, 60, 70 percent. If here in the United States of America, we voted at 60 percent, 70 percent, it would transform our politics.
I started singing when I was about 3 and dancing soon after. Mom just started looking for outlets where I could perform and availed herself of any opportunity she could in the mountains of North Carolina in the '70s.
If you were just a regular person, you turned on the TV, and you saw Eric Cantor talking, I would say—and I'm fine with gay people, that's all right—but my gaydar is 60-70 percent. But he's not, I think, so I don't know. Again, I couldn't care less. I'm accepting.
I grew up listening and looking up at these people and laughing at Carol Burnett and singing James Taylor songs. And same with Smokey Robinson. So they were such a huge influence as a child that to actually sit alongside them and perform on the same bill was an amazing experience for me.
There are a lot of people out there doing cool work. I went to South Africa with Talib Kweli and the Roots for a couple of weeks. And even a lot of the groups that aren't called 'political' or 'revolutionary' have a lot more to say than what you hear on the singles.
It is a really bizarre feeling to perform for, like, five people. You get so much energy from an audience, and when it's just five quiet people at a table, that's not the same.
Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.
It was my duty to give them the best show possible. Say you've got a timid little preacher in North Carolina or somewhere. He'll bring in visiting evangelists to keep his church going. We'd come in and hit the crowd up and we were superstars. It's the charisma of the evangelist that the audience believes in and comes to see.
Sometimes you just don't feel the same everyday, it doesn't matter what you do, but when you have people looking forward to seeing you perform for them, that puts you in the mood, and that's natural in Boston. That's why it's such a special place to play.
Man, you can come see me six or seven times in a row and you'll never see the same show twice, because I don't like to be robotic onstage. I like to perform for that particular audience.
There's always a spattering of people who see Hanson who were influenced by classic '60's and '70's rock and roll. In a lot of ways, we're sort of the anatomy of a '70's rock band if you examine what we do: white guys who grew up listening to soul music from the '50's and '60's.
[Obamacare] premiums are going up 60 percent, 70 percent, 80 percent. Next year they're going to go up over 100 percent. And I'm really glad that the premiums have started - at least the people see what's happening.
Marathi film producers conveniently blame the audience. If there are 70-odd flops in a year, there are a few that are hit because the same audience comes to the theatres.
You perform for a different audience each night. People who don't understand just think that you go out there every night and do the same thing, but you don't - you have to find out who they are and give it to them.
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