A Quote by Big Daddy Kane

I think 'Long Live the Kane' was pretty much a real boxed-in mindset with me just doing what I represented in the hood. — © Big Daddy Kane
I think 'Long Live the Kane' was pretty much a real boxed-in mindset with me just doing what I represented in the hood.
When I first started rapping, I was just doing it for the hood to notice me - the hood fame - just to get people's attention around the city, to make me a little show money. But then music became my passion, it got real serious.
I realized pretty much everything I did wrong with 'Long Live the Kane' and went right back in and did 'It's a Big Daddy Thing,' because now I had a more universal approach.
After 'Long Live the Kane,' I toured the world as an entertainer seeing so much more. My mindstate was so much broader.
Someone like Harry Kane, I can tell you that his mindset will be: 'I'm staying at Tottenham, I'm going to break every single record, I'm going to captain this club into the new stadium.' When you've got a player like him with that mindset, I don't think Tottenham have to worry.
I think it started with both the shows and the box set from finishing White Material. I think we were also pretty desperate to get it released. We felt pretty proud of it, and it just escalated from there. We were thinking about playing some live shows, doing the soundtracks live. It was just trying to shine a little light on this 15 years of work we've done.
If I would remain in Chicago, I'd be happy doing what I can to help out. That's pretty much how my mindset has been playing anywhere.
I just live and let live and live my life pretty much according to the Golden Rule. And it turns out well for me.
The one product I can't live without is my mascara. I'm addicted to long eyelashes and think girls just look so pretty with long lashes!
Certainly it is much easier to think about negotiating and having deals when there is a singular represented point of view. That pretty much is a given.
People had boxed me in as a 'pretty girl with followers that's rapping,' but I think my project and the work speaks for itself.
First rule of Teach Kane a Lesson: you don’t talk about Teach Kane a Lesson. Second rule of Teach Kane a Lesson: you don’t talk about Teach Kane a Lesson. Third rule of Teach Kane a Lesson: if someone taps out, you just keep fighting. Fourth rule of Teach Kane a Lesson: there are no rules. Got it?
I think you just have to look after yourself, you know, when you're doing long tours; you just have to. I think bands learn that pretty soon, really. And if they don't, I think they tend to fall by the wayside.
We put limitations on the way that we think about things, on ourselves, think about all the boxes we live in, male or female, you're this age, that age, this is your job, this is not your job, everything is about getting boxed in. I think we accept a lot of those boxes, that labeling, and the way that we perceive the world, but what even is perception? It all seems pretty flexible to me.
D.C. fans, I think, are so good. They just come up to me, and they're so nice and so polite and just, 'Hey, I hope you have a great career,' and 'How are you doing, everything's good?' That's pretty much where they leave it at.
I don't live a very posh life. There are no drivers waiting or people doing everything for me. I pretty much live like a normal person... It's not good to have a life without responsibilities, you know?
I started acting pretty much by accident. I was doing read-throughs for a playwright who I was assisting, and then an agency saw me and said they wanted to represent me and get with me through my training and so on and so forth. It was pretty much by chance.
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