A Quote by Big Daddy Kane

I realized pretty much everything I did wrong with 'Long Live the Kane' and went right back in and did 'It's a Big Daddy Thing,' because now I had a more universal approach.
I had a lot of friends, but none of them I felt super close with. Now that I'm older, I can look back on my teenage self and kind of see the things I did wrong and the things I did right, what affect they had on me, and what affect they had on other people. I can look at it in a much more conducive way to storytelling.
Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard.
I've always vowed that if I had a child, I would treat him right. My father was a perfect model for me because everything that he did wrong, or everything that he did I would just do the opposite. Which would be the right thing to do. So that is being in your son's life 100 percent, give them love, give them affection, give them discipline.
Don't judge my dad on the one thing he did wrong and not on all the things he did right. For such a long time, he was such a huge role model for kids and such a positive thing. That's the one thing about this business is you get tormented for the one thing that is negative versus all the great things you have done.
After 'Big Daddy,' it was really slow. We weren't booking a lot, and we did a little bit here and there, but, you know, we basically went back to school, did what normal kids do.
I did all the usual things. I think I did everything that everybody else does. I did auditions. I went to see people. I went to see the right people in some instances, the wrong people in others. The wrong time in others. The right time in others. Nothing seemed to make any difference. I quit 5 times! I always went back to try again when circumstances came around to it.
There's what we did wrong and what we did right. The mistake is that we did some things against the people - by us and also by the enemy - but the other side, as I told you, is that without our struggle there would be no Cambodia right now.
I think at every moment in the last probably 100 years, when the institutional church had the opportunity to do the right thing, they did the wrong thing. They're a dying institution in many parts of the world because they refuse to ordain women or married people. And now they're a dying institution because some of their members did enormous harm to young people and instead of responding aggressively with humility, and with love, and with the confession of wrongdoing, they tried to spin it as though they were a political party, and that's just deplorable.
My pictures had and have secret lives, and so there were things I did not tell, a lot of stuff I did not say back then which I'm saying now... I intend to continue allowing forms of secret life to paintings I'm working on right now because it excites me to do that.
Before Bin Laden did everything but advertise. Yet he had to blow up the Twin Towers just to get the attention of anyone outside the intelligence community. So what did we do? We invaded the wrong country, killed the wrong madman, and too often used the wrong interrogation techniques on the wrong people-all because our leaders lost contact with the truth.
The ethos of 50 years ago was that there was one kind of English that was right and everything else was wrong; one kind of access that was right and everything else was inferior. Then nobody touched language for two generations. When it gradually came back in, we didn't want to go back to what we did in the 1950s. There's a new kind of ethos now.
Of course, for me Naked Lunch was the big one, but I still believe I was right to pass on that. James Grauerholz and Barry Miles did an important job with their 2003 "Restored" edition because they knew what they wanted to do, and what they could do. At the time, I simply didn't know. I hadn't even edited Junky back then. So I did the right thing to pass. Instead, what I most want to do now is complete "The Making of Naked Lunch," on which I have been working, on and off, these past 25 years.
Actually, we didn't tour that much back in the 70s because we had all these other artists under our hat. My touring was really limited. I tour more now than I did back then.
When I went out and did what I did in the world of professional wrestling as Stone Cold Steve Austin, pretty much anything and everything thing I said was ad lib, on the spot, just let it fly and go for it.
I don't care if it was 2 o'clock in the morning after a night game. I had to break down the film by myself before I watched it with the team. I wanted to see everything I did wrong and did right or I wouldn't be able to sleep.
I think 'Long Live the Kane' was pretty much a real boxed-in mindset with me just doing what I represented in the hood.
This site uses cookies to ensure you get the best experience. More info...
Got it!