A Quote by Big Daddy Kane

Rakim is a great lyricist. To me, it was always beautiful to be compared to him. — © Big Daddy Kane
Rakim is a great lyricist. To me, it was always beautiful to be compared to him.
I think that Kool Moe Dee birthed Rakim, Rakim birthed Nas.
These haters are too less in number when compared to the millions who support me. I look at all those beautiful people who always stand by me. I respect them, and they equally respect me.
Dear Lord, forgive me for all of the times I've compared myself to others. I know that You have hand-picked all of my qualities. Help me to see these things as beautiful reminders of Your great love in creating me as Your daughter. In Jesus' Name, Amen.
The media has been nice to me so far, but if I get compared to Channing one more time I'm taking it as a compliment, but it is crazy how many times people have compared me to him. I don't know if 'Magic Mike' is in my future, but we'll see.
The media has been nice to me so far, but if I get compared to Channing one more time... I'm taking it as a compliment, but it is crazy how many times people have compared me to him. I don't know if 'Magic Mike' is in my future, but we'll see.
I have become their idol. Like, Busta Rhymes has called me twice to come to rap with him, and Big Daddy Kane and Eric B and Rakim, I made a trip to do things with them.
The pressure on me is nothing compared to Ravindra Jadeja. Jadeja, like Ram Gopal Verma, must always fail. The crowd always expects him to fail and it is too much pressure on him. And, he rarely disappoints them.
Me and Rakim were always clear that we were rivals.
What is so beautiful about a composer and a lyricist is that their job is to push a story along and not halt it.
Do you know how beautiful you are?' I shook my head 'I'm not. But you make me fell like I am.' I wanted to be beautiful. To him. For him. I didn't care how anybody else saw me. Only Ethan.
In a way he made me think of a child doll, with briliant faintly red-brown glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him evevn more radiant than he was. "That's what you always want," he said softly... "When you found me under Les Innocents," he said, "you wanted to bathe me with perfume and dress me in velvevt with great embroidered sleeves." "Yes," I said, "and comb your hair, your beautiful russet hair." My tone was angry. "You look good to me, you damnable little devil, good to embrace and good to love.
In the beginning of Audioslave, I was very honest. I said, 'We make great albums and write great albums - but don't be under the impression I'm going to be a lyricist that writes anything other than what strikes me as inspiring in the moment.' The lyrics weren't going to be focused politically.
To me, he was the grand master of wine. He was a forceful Russian and a gentle person. The greats of wine all over the world have great affection and admiration for him. What a beautiful man he was and what a privilege to have been touched by him.
In the 1990s music was a beautiful collaborative process between the composer, lyricist and director. They would exchange ideas and magic used to happen.
Seeing the sun, the moon and the stars, I said to myself, 'Who could be the Master of these beautiful things?' I felt a great desire to see him, to know him and to pay him homage.
Yeah, I can see why beautiful cars are compared to beautiful women... they usually belong to someone else.
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