A Quote by Big Daddy Kane

If you call 'Rapper's Delight' an old-school record, I agree with you. If you call Sugar Hill Gang old school, I agree with you. Not because they came out in '79 or '80, but because in 2002, that's still the way Hank and Mike rhyme.
Now if you call 'Ain't No Half-Steppin' ' or 'Raw' an old-school song, I agree with you. But if you call Big Daddy Kane an old-school artist, I disagree with you.
I've eaten a lot of strange things. I've eaten something called a razor clam. They just call it that because it likes like the old-school razors in the old-school barber shops. I can't even think of some of the things I've tried.
People assume that 'The Expendables' is old school, but it's only old school because that's the way I know how to make an action film. It's pretty real.
I don't think you'd call me a traditionalist. But you can say I have an old soul, because I grew up listening to Conway Twitty and Hank Williams.
Call me a relic, call me what you will, say I'm old fashion, say I'm over the hill. Today's music ain't got the same soul, I like that old time rock and roll.
I could go old-school; I listen to a lot of old-school music, like Teddy Pendergrass, the Temptations, people like that. I'm an old-school dude, and I'm vibin' with stuff like that to clear my mind. I like listening to that old-school music.
Education was a given, only because of the way I was raised. Truth be told, I thought, at 15 years old, I should go and get a record deal and drop out of school, and my parents would have had none of that. I'm grateful now that my parents were pushing me in that way, because I wasn't mature enough on so many levels to do that.
The Photograph is violent: not because it shows violent tings, but because on each occasion (i)it fills the sight by force(i), and because in it nothing can be refused or transformed (that we can sometimes call it mild does not contradict its violence: many say that sugar is mild, but to me sugar is violent, and I call it so).
I don't really trust politicians, and our job is to call them out. It's old-school journalism.
What people generally tell you is, "We'll all agree," and then once you sign, they expect to get their own way. I think it was a bit of a surprise that I was still very headstrong even after signing. I wasn't so happy to get a deal that I would agree to anything. In fact, I disagreed on most things and got my way on most things, which I think was to all of our benefit. But they wanted the record to come out, and I wanted the record to come out, so we had to work together.
I've been acting since I was 5 years old, from primary school to secondary school, did training at drama school, which was the big thing for me because they trained me, put me out into the industry.
I stayed a year in the sixth form and there was talk of Cambridge, but I wanted to go to drama school. At 17 and three months I went to the Old Vic School in London. This most remarkable and brilliant drama school lasted only six years because the Old Vic Theatre hadn't the money to go on funding it.
If you agree with some tenets of Objectivism, but disagree with others, do not call yourself an Objectivist; give proper authorship credit for the parts you agree with
My kid is seven years old and is learning to read and conjugate, but I don't agree with that kind of education because I feel that the concepts are not contextualized... it's interesting to try to make my kid a reflective boy, rather than just a repetitive boy, even if he doesn't agree with me.
A lot of the gear came out of some of the old studios here in New York City. We picked up a lot of old microphones, reverb tanks, tape machines, so yeah, we try to record the old way, which takes more time and energy, but it certainly feels better when you're getting to the end of the process of making a record.
I dropped out of school when I was 15 years old. I dropped out because I guess I wasn't getting anything out of my investment in the school.
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