A Quote by Big Daddy Kane
I always loved slow jams and wanted to make them, but didn't know how I could because I couldn't sing. Then Barry White made 'Love Serenade' in which all he did was talk the entire jam. I said, 'I can do that.'
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I could see how you could do extreme things for the person you loved. Adam One said that when you loved a person, that love might not always get returned the way you wanted, but it was a good thing anyway because love went out all around you like an energy wave, and a creature you didn't know would be helped by it.
No. I wanted to tell you that I was proud of you." Clary slewed around to look at her mother. "You were?" Jocelyn nodded. "Of course I was. The way you stood up in front of the Clave like that. The way you showed them what you could do. You made them look at you and see the person they loved most in the world, didn't you?" "Yeah," Clary said. "How did you know?" "Because I heard them all calling out different names," Jocelyn said softly. "But I still saw you.
I sang everything - R&B slow jams, Spanish slow jams, romantic reggaeton - and I really didn't care which I got signed for.
I was incredibly confident on stage because that's where I loved to be. But offstage, there was no balance. I was a little shy kid that went onstage. And I always said, cocaine was the drug that made me open up. I could talk to people. But then it became the drug that closed me down. So it started out by making me talk to everyone, and then ended up by me isolating myself alone with it; which is the end of the world, really.
I like to sing R&B slow jams. It's always been my thing.
What do we have to do to make God love us?' I always grew up with that. I always used to go around thinking that. 'God loved the white people better. He must've. That's why he made them white.'
When I came to Delhi first and said, "This is not India. And then I was taken to Varanasi and there I loved, loved the culture. It was a beautiful journey. The way the people dressed - even the poorest people, and the fabrics! With vegetable dyes, and I was fascinated by the color. But in the end I loved the men - all in white - so many shades of white. And I said, "What am I going to do? A color collection or a white collection?" I finally did a neutral white collection.
I always loved reading. I always was the spelling bee champion. I always loved words. I always wanted to know what they meant, why you used them, who first said them. I was always interested in that.
I lied to Julia, I didn't know what else to do because you - you make me feel..." I had to stop. Not because I didn't have words. I did. But I was afraid to say them. He looked at me, and I knew then I could love him. That if I let myself I would. "You make me feel too," he said, and held out one hand.
"It's very good jam," said the Queen. "Well, I don't want any to-day, at any rate." "You couldn't have it if you did want it," the Queen said. "The rule is jam tomorrow and jam yesterday but never jam to-day." "It must come sometimes to "jam to-day,""Alice objected. "No it can't," said the Queen. "It's jam every other day; to-day isn't any other day, you know." "I don't understand you," said Alice. "It's dreadfully confusing."
He would talk to them of stories and books, and explain to them how stories wanted to be told and books wanted to be read, and how everything that they ever needed to know about life and the land of which he wrote, or about any land or realm that they could imagine, was contained in books. And some of the children understood, and some did not.
If your mother did not know how to love herself, or your father did not know how to love himself, then it would be impossible for them to teach you to love yourself. They were doing the best they could with what they had been taught as children.
I always loved movies. I wanted to be in them! I always saw them and said, 'How do you do that?' It seemed like going to the moon. It was not a rational thought, but that's the only thing I wanted to do.
I'm really good at the '90s slow jams. I've got that down. But I love to dance, so why wouldn't I make something I could dance to?
Of course, for me Naked Lunch was the big one, but I still believe I was right to pass on that. James Grauerholz and Barry Miles did an important job with their 2003 "Restored" edition because they knew what they wanted to do, and what they could do. At the time, I simply didn't know. I hadn't even edited Junky back then. So I did the right thing to pass. Instead, what I most want to do now is complete "The Making of Naked Lunch," on which I have been working, on and off, these past 25 years.
I always think about the role models I had when I was a little girl. They really made me feel how big I could dream, they made me feel I could do things that I did not think I could do before. And because of them, I went and did what I did and I am where I am now.
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