A Quote by Big Freedia

Bounce music is uptempo, heavy bass, call and response. — © Big Freedia
Bounce music is uptempo, heavy bass, call and response.
The Florida sound would probably be best defined as heavy bass with high energy dance records. There's a strong Caribbean heritage in Florida which features a lot of uptempo music, and the music accents the sexy, body-oriented sound.
As much as a lot of my music is very R&B, there's a bounce to it that obviously makes it easier to perform live. It's upbeat and uptempo.
I just like heavy music in general - from heavy rock and heavy metal and heavy rap and heavy everything. I've always been attracted to it.
My earliest memories of rap music was mixed with my earliest memories of reggae music. They were big sounds around the way, heavy bass lines, strong messages, definitely.
Grunge, like Nirvana and all that. Heavy metal, Iron Maiden, Metallica, Guns and Roses, drum and bass. I like to listen to it and try and break down what makes a fan of that music say 'Ah fuck that other music', do you get me? Trying to figure out what makes them tick, I always try and break that down with every piece of music. But the energy in that music, I love it.
Bounce is a primarily call-and-response style of hip-hop over a 'Trigger Man' beat. It's a New Orleans-created hip-hop style that developed in the late '80s, early '90s.
Style-wise, Valle Nevado is what can only be described as 'hip international.' Brazilians, Chileans and Europeans make the place seem like an electronic music festival transported to an remote Andean valley. Huge speakers blare out thumping, bass-heavy music, while promotoras stalk the staircases selling everything from Red Bull to mobile phones.
I listened to many different types of instruments and music, and have always tried to look at the bass as an instrument as opposed to only a bass.
The hardest instruments for women to play are bass and drums. Drums because of the physicality needed and bass just because its heavy and it's not an easy instrument to play.
There's no such thing as 'sissy bounce.' We don't separate it here in New Orleans at all. It's just bounce music. Just because I'm a gay artist, they don't have to put it in a category or label it.
When I do uptempo songs, I like to bring in the funk and world music and different elements.
I grew up with the British-Chicago crossover of house music with a lot of pianos and very heavy bass lines, but what I love about house is you can mix it up a bit.
Yes, the audience is so important to Negro music, especially the element of call and response.
It wasn't until after private lessons and learning bass lines that I even noticed bass in the music I was listening to at that age. My ears were blown wide open.
Regular martial arts is traditional, with no music and no flips choreograhed into it. But extreme martial arts is choreographed to music. It's very fast-beat uptempo, and you put a lot of acrobatic maneuvers into the routine.
I'm 13 to 17, 18 years old; I thought that's what the world was like. It never occurred to me that this was a very unusual period in music history. So I went on assuming that one day I'm going to have my band like my heroes had their own band. So people ask me this question all the time - they go, "Bass is basically a background instrument." The other thing is that in urban music, Black music, the bass has a much higher profile.
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