A Quote by Big Freedia
I met Icona Pop by chance because we were both recording at the same studio. I was a fan so when I heard they were in the next room, I went to say hi. Next thing I knew, they were on two songs.
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I grew up in the time just when cassettes were waning and CDs were growing. And so mix tapes - and not mix CDs - mix tapes were an important part of the friendship and mating rituals of New York adolescents. If you were a girl and I wanted you - to show you I like you, I would make you a 90-minute cassette wherein I would show off my tastes. I would play you a musical theater song next to a hip-hop song next to an oldie next to some pop song you maybe never heard, also subliminally telling you how much I like you with all these songs.
We had a bond creatively that came out of 'Lady Marmalade.' It was our link. And people don't know this, but P!nk and I actually met when we were both 16 years old in Philadelphia. I was recording my first album, and we were working with the same producers, so I originally knew her as Alecia.
Debina and I were in a relationship from the days when we were nothing. And then we both went ahead in our careers together and when we started to get successful, the next step for both of us was marriage as we both wanted to graduate to the next level.
The Christmas presents once opened are Not So Much Fun as they were while we were in the process of examining, lifting, shaking, thinking about, and opening them. Three hundred sixty-five days later, we try again and find that the same thing has happened. Each time the goal is reached, it becomes Not So Much Fun, and we're off to reach the next one, then the next one, then the next.
I knew what my times were and how my practices were progressing and how close I was to the goals I had set for the year. I swam hard. I always swam hard. If I didn't, I knew I would pay for it either the next day or the next meet.
But it all zipped by. One minute Marlena and I were up to our eyeballs, and the next thing we knew the kids were borrowing the car and fleeing the coop for college. And now, here I am. In my nineties and alone.
It was quite weird when we met, because we were both the ones who cooked in our own groups. When I was married, I did the cooking at home, same as Si did. It was like a parallel universe. We were both born hungry, weren't we?
I had this instinct and I just knew it. It was a very strange thing and as soon as I finished recording it, we were all in the studio saying we have something really special here.
You got to go back and look at it, what happened when Mike Singletary retired? What happened to the Bears for a while? They were trying to find that next guy. That was the hard thing was, they were they were trying to find that next guy.
It was life under the Soviet system - we were struggling with every big problem. Publicly, my parents had to queue up to buy food, but were able to live secret lives in their private rooms. With the TV set in the living room, we were able to see Western pop culture -a different reality from what we were living. For me, it was like two different universes existed at the same time, and we got used to being in these parallel universes.
There is a long history in country music of songs celebrating drinking and lamenting drinking. Country songs for the most part have always been heavily rooted in reality. The first artists were the people next door. They would sing on their porch or in their living room or at a barn dance. They sang about what they knew, and a lot of that was drinking.
A lot of fans were drawn to me because they knew that whatever the score was, I was going to run as hard as I could on every play. You don't have that now, you have guys waiting for next week or even next year.
For me, I met my husband when I was going full steam ahead of what I wanted in my career. We sort of intersected and were like, 'Oh, hi, hello!' We were both on our way somewhere to speak and then just kept going together.
There was no warning before the outbreaks began. One day, things were normal; the next, people who were supposedly dead were getting up and attacking anything that came into range. This was upsetting for everyone involved, except for the infected, who were past being upset about that sort of thing.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
We met in the summer or fall of 2001. I had never met Kate [DiCamillo], though I'd heard her name, and I think she knew of me too. We were laughing within a few minutes, I mean really, furiously, laughing. So we were off to a good start.
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