A Quote by Big K.R.I.T.

I'm used to producing all of my projects, doing all the beats, and writing all the hooks. — © Big K.R.I.T.
I'm used to producing all of my projects, doing all the beats, and writing all the hooks.
When I used to go on the Wikipedia page, and I haven't gone on the page in a while, there used to be some guy who was doing my page and he would say that he was my cousin and I was going to be doing projects with him. I don't know who this person is and I don't have a cousin by this name and this person keeps saying that they're doing projects with me. It's so weird.
My first love is writing and producing. So I sometimes put my own stuff off to work on other people's projects.
The ultimate thing is creating your own stuff and making projects for yourself. That's what Seth Rogen does. He's writing and producing a lot of the movies that he's the lead in.
I'm focusing on my efforts behind the camera. I'm doing some producing and directing so that I can make projects for all of the amazing, talented actors and crew that I know.
Women in music have always been associated with pop - with prettiness, theatricality, melodic hooks and dance beats.
I haven't thought about writing so much as potentially producing and finding my own projects to get into production. I want to be able to buy the rights to a story that I have read or a book that I have read.
I feel like when I'm writing for other people, when I'm doing rap hooks, it's kinda like playing dress up for me...
I started playing instruments before I started making beats, and I was never the best guitarist or the best pianist or the best drummer. And when I started making beats, I was not the best beatmaker, and when I started making hooks, I was not the best vocal melody person. When I first started rapping, I wasn't the best rapper at all.
I began doing writing projects and art and design projects to explore a new way of seeing Canada. Roots is one more way of continuing this exploration. I want to present a wide-open Canadian sense of color, adventure, communication and openness that defines our country.
I used to do the beat box. A friend of mine, he was the rapper and after, we'd be doing a block party or something or a house party, and he's gettin' all the attention and I'd end up with a handful of spit, you know, from doing the beats.
I was like 13, 14 years old. I had a Rock Band mic, and I used to record music and put it on YouTube and DatPiff. Then I started getting to producing my own music because I didn't want to keep rapping on beats I was getting on SoundClick.
Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that's kind of how I realized I could sing.
Little projects - not feature - film projects - you know, theater things, writing things, and jobs like doing rewriting for money, stuff like that. I don't recommend it. It's not a schedule that I'd want, although it was really good for me in a lot of ways. I became a better writer.
Developing projects of my own and producing and writing and directing is something that's very interesting to me, but you know, one step at a time and you've got to establish yourself on one side before you really have the power to do something else. That's always the immediate goal.
Some writers and producers are currently writing a sitcom for me, so we'll see what happens there. I'm somewhat reluctant to talk about some of the upcoming projects that I'm working on; I've a lot of stuff on the go, including five pictures that I'm looking at producing.
I love hooks, but getting radio airplay has never been a concern to me while I'm writing. That would be a very stifling and imprisoning way of writing music.
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