A Quote by Big K.R.I.T.

I think doing a record with B.B. King allowed me the opportunity to blend two different generations across the board and make a song that I hope is extremely impactful. — © Big K.R.I.T.
I think doing a record with B.B. King allowed me the opportunity to blend two different generations across the board and make a song that I hope is extremely impactful.
I think Pac is one of those artists that generations on generations know who this guy is, as an artist, as an activist, as an actor - entertainer across the board. I think the new generations of entertainers and artists can be influenced by him just as much as people in the '90s.
The opportunity to record the song came when Phil Collins' record label, Atlantic, was doing a tribute album to him and they asked all these different artists to do renditions of his songs.
I don't think my success or me having the opportunity to have success is from our generation. I think it's from the generations before us. I think it's the fact that people like Martin Luther King and Medgar Evers and people like that fought for us to have the freedom to do and say what we want and have the opportunity to make money.
When we kind of get caught up in the minutiae, the details that make us all different, I think there's two ways of seeing that. There's an opportunity to see the texture of that person, the characteristics that make them unique. And then there's an opportunity to go to war about it and to say that that person is different from me and I don't like you, so let's battle.
It was the understanding of the power of perception that allowed the Martin Luther King, Jr. generations to stay true to the strategy of non-violence, refusing to retaliate when every emotional instinct would justify them doing so.
I feel connected to every song on this record [ 'Modern Vampires Of The City' ], but yeah I think there's something special about 'Young Lion'. It's pretty different from any song that we've had before because the vocals are kind of between two different very simple instrumental piano melodies and it's almost like something that we call a vignette, it's sort of like a miniature.
I have a song called 'I Don't Even Know Your Name' which I think is going to be well liked across the board.
Tinashe doing 'I Wanna Get Better' - it's a really personal song, and it was hard for me to imagine anyone else doing it, but stylistically her and I are so incredibly different that I was fascinated to hear what she'd do with it, and I completely loved it. It just felt like the different expression of a song that, to me, was so stamped in one way.
If you'd have asked me two years ago, I'd have been like "No, anything and everything. Go for it." Now, I want to focus on doing the best I can each time. But I think it's hard for me to only put out one record a year. Because I get too antsy. But it's good I'm learning to do that, because each record counts. And you should make it count.
You can expect a record that I put together for you to make you feel good, a record that I put together to make you think, a record to transport you into whatever mood you want to be in. I hope that people associate my name with the brand, and I hope that people associate that brand with excellence. So, you can expect an excellent record.
Showtime has given new, young filmmakers - black, white, across the board - an opportunity to make films, as well as actors who want to cross over into directing.
I have this idealistic and maybe naive thought that almost any song can be anything. If you record one song today, it would maybe be exciting and cool. But I could record the same song next week and it would be something completely different.
I was not allowed to date wrestlers, or anyone else in the company, across the board.
I think the I Am album allowed me to show fans that I'm more than just a mixtape artist, who can make music on a different platform, a bigger platform, and I think more people respect what I'm doing now.
I always thought I could do it, have an across-the-board big record.
I'm very concerned with the healing process of a song and music in general. I think that's why I make music - it heals me and I'm extremely sensitive to people who tell me that this or that song made them feel better or helped them go through a difficult time in their life. I think that music is almost medicine. I don't know if that's my philosophy, but that's my thought process.
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