People like Busta Rhymes would say, 'Clinton Sparks doesn't do mix tapes; he does albums. He just throws albums out on the street.'
It was mix tapes, that's my story, I did a lot of mix tapes, that's what I started doing when I was 17. I got with a hot DJ out here and you know Texas, the rap scene is different, everyone out here is on the Screw music.
The crews that are going to be self-produced are going to make the great albums, as opposed to making these mix-tapes, these compilations - "Me over this guy" It sounds good individually, but the art of the record is something that is lost. It gets to the point where it's just vocalists and producers coming in and piecing things together.
I grew up in the time just when cassettes were waning and CDs were growing. And so mix tapes - and not mix CDs - mix tapes were an important part of the friendship and mating rituals of New York adolescents. If you were a girl and I wanted you - to show you I like you, I would make you a 90-minute cassette wherein I would show off my tastes. I would play you a musical theater song next to a hip-hop song next to an oldie next to some pop song you maybe never heard, also subliminally telling you how much I like you with all these songs.
Mix CDs are interesting. I'm known more for my artist albums and less for my mix CDs.
I roll with Ladies just as tropic as the chronic in my pocket Cop it, Crush it, Roll it, Spark it, and mix it in with the chocolate
There are all kinds of mix tapes. There is always a reason to make one.
I grew up a hip-hop kid doing mix-tapes.
All tapes left in a car for more than about a fortnight metamorphose into Best of Queen albums.
I'm not an Internet artist, I didn't get discovered on the Internet - I got discovered pushing my mix tapes on the street, walking on foot, going to parties, passing them out.
For guitar players especially, blues is the foundation of rock and roll. You take country music and rock and roll and jazz and you mix it together, and that's my basic makeup.
'Rock n' Roll Animal,' the live album, is one of the greatest live albums out there. It was a huge influence on me.
Rock n Roll Animal, the live album, is one of the greatest live albums out there. It was a huge influence on me.
Nobody uses skits at all anymore, so it seems like I use a lot. That's how I grew up on tapes. Biggie tapes, Biggie albums would have skits. The Lox would have skits. Mase would have skits. All the dudes I grew up on in Nineties rap would have skits on their projects, just to make you feel like you were right there with them.
You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes back, and you hope that when you mix it you still have the feeling that you had when you were onstage, but it seems like it never quite works out that way!
He was the boy that made mix tapes with themes and hand-colored covers until the day he hit my sister and stopped crying.