A Quote by Big K.R.I.T.

I started making my own beats because I just couldn't afford to pay for the other ones. — © Big K.R.I.T.
I started making my own beats because I just couldn't afford to pay for the other ones.
I started playing instruments before I started making beats, and I was never the best guitarist or the best pianist or the best drummer. And when I started making beats, I was not the best beatmaker, and when I started making hooks, I was not the best vocal melody person. When I first started rapping, I wasn't the best rapper at all.
I made my entire first tape using Beats headphones - the studio headphones and halfway through the second one, because I finally started making a home studio. But I record and make all my beats with the Beats headphones.
It's the way I enjoy making art - I like sitting down and making five beats; I enjoy that process. I can go two weeks without making a song and just making beats and I'll be OK.
I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job.
I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, 'Bet, now I can focus on writing and singing.'
Sure there are people who do everything "I do my own beats, my own lyrics, my own mixing, my own mastering, my own art, my own booking, my own managing, my own merch" it's like... ya that sucks, it can't be very good for you, and might be why you aren't getting ahead because you really need to focus on the music where others should be focusing on those other aspects.
I was about 18 when I started making music, making beats. My mindset was totally different.
When I first started producing, all I had was this little crappy sampler called a S20, which had, like, a minute sample time. I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job. I was a schoolteacher for a while, and it was the worst job.
Here's the thing... when people start making music, they start borrowing styles from other people, because that's what you do. You start by recreating hip-hop beats you've heard from other people, or you start mimicking other people, or you're just listening to stuff.
It's fairness to say those who work hard, get up in the morning, cut their cloth - in other words 'we can only afford to have one or two children because we don't earn enough'. They pay their taxes and they want to know that the same kind of decision-making is taking place for those on benefits.
I had a friend at college who took being poor very personally. He started showering in the sports centre next door and said he wasn't going to pay for the hot water in our flat any more because he didn't use it. He made me and my other friend pay the bills on our own.
Hearing politicians tell us we can't afford a tax cut is like listening to a glutton tell you he can't afford a diet. In no other context do people talk about paying for money they don't have. I can't pay for your refusal to give me money because I need a yacht.
And thus it was that I started to wonder why Robert Burns is so important to us. We have other poets, and other writers, and other heroes, yet we do not afford them the veneration that we afford to Robert Burns.
I started making beats when I was 13.
It wasn't until I went to college that I started getting interested in style. Then I got jobs that started to pay a bit more money and was able to afford some nice slacks and suits.
I started making beats in high school.
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