A Quote by Big L

On 139 and Lenox Ave there's a big park, and if you're soft don't go through it when it gets dark — © Big L
On 139 and Lenox Ave there's a big park, and if you're soft don't go through it when it gets dark

Quote Topics

Really? I thought the transfers will go through Four’s landscape,” says Uriah. “Like he would let anyone do that,” she says, snorting. Something inside me gets warm and soft. He let me go through it.
In the Washington soft money game, big business and big labor are accomplices working together to protect the mushy middle of big government, with plenty of special interest plums: Big unions get big spending and big business gets corporate welfare and special tax breaks - all at the expense of average Americans.
Make a right down 7th Ave to 4th St Park, feeling the whole ghetto vibe and set my mark
There's a lot of dark horror, and a lot of sci-fi fantasy that's great, but what gets hyped a lot the big stuff. The most expensive stuff gets hyped a lot, and I love it, don't get me wrong, but there's things that fall through the cracks.
Obviously I'm a big fan of 'South Park', but it gets tiring at times when there's so much of it.
Obviously I'm a big fan of 'South Park,' but it gets tiring at times when there's so much of it.
When you're training you go to the gym when it's dark, you leave when it's dark. You push your body to the limit and it really gets on top of you.
It gets super dark. I did a bunch of intense indie movies when I was starting out in my career and I was always in a bad mood because, when you're dealing with the subject matter of losing your baby, getting raped and all that stuff, it's not fun to go through. You really have to go there.
There's always light after the dark. You have to go through that dark place to get to it, but it's there, waiting for you. It's like riding on a train through a dark tunnel. If you get so scared you jump off in the middle of the ride, then you're there, in the tunnel, stuck in the dark. You have to ride the train all the way to the end of the ride.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
Go for a short walk in a soft rain - lovely - so many wild flowers startling me through the woods and a lawn sprinkled with dandelions, like a night with stars. And through it all the sound of soft rain like the sound of innumerable earthworms stirring in the ground.
The photographer begins to feel big and bloated and so big he can't walk through one of these doors because he gets a good byline; he gets notices all over the world and so forth; but they're really - the important people are the people he photographs.
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
The first big thing that I did with my dad was the bicycle sequence in "The Great Muppet Caper," where Kermit and Piggy are riding bicycles in Battersea Park in London and that was a complex marionetting and cranes driving through the park, it was a complicated scene, and I did that with my dad.
It's very difficult for me to explain myself. I used to park blocks away from NBC when I went to work there so I wouldn't have to tell the gate-man who I was. He'd always repeat 'Who?' And I'd have to go through who I was again and where I was working. So I'd just park on the street and find a fence I could climb over.
... sometimes I can feel it, the way we are pouring slowly toward a curve and around it through something dark and soft, and we are bound to each other.
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