A Quote by Big Narstie

Years ago, when I was making music, I was sending it off to radio stations and getting told it was 'too urban.' But what else am I supposed to make? — © Big Narstie
Years ago, when I was making music, I was sending it off to radio stations and getting told it was 'too urban.' But what else am I supposed to make?
I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
Atlanta is a very good scene for the type of music I'm making. The biggest radio stations are all trap or rap stations. All the clubs are just based around this music and just the southern sound, that's what I really love about the city.
And in an era where radio stations that are inclined to play Styx music are your classic rock stations and the stations that play current music look at us as dinosaurs - the only way we could reach people with our new music, generally, is to perform live.
During the time that my recording career seemed to be in a slump a music called disco came on the scene and literally took over radio stations as well as having radio stations created to play it which sort of negated my music as well as that of some of my peers.
Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
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'Dance' got on WBLS and over 25 urban AC stations. I never had a record on urban AC and gospel stations before.
I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"
This is a business built on promotion. We've been giving music away to radio stations for 30 years.
Well over fifty years ago I was making radio loudspeakers and radio sets in Rochester, New York; pretty young and inexperienced; but we survived the depression.
I love making music, but if you make something that inspires somebody else to make something, without getting too airy-fairy, you've contributed to the zeitgeist in some way, and that's just an amazing feeling.
There are so many conditions to programming in America, where it's dominated by these people that own 800 radio stations that have no idea who to play and who not to play, and they listen to somebody or read somebody else's programming sheet and go by Buck Owens' opinion or something. Eight hundred stations are controlled by some guy that doesn't have a clue as to what to do about music.
Folks out in the country couldn't afford to pay for anybody else to make music. They had to make their own. So the peasantry had their music, and it was about a hundred years ago given the name "Folk music".
Demagoguery sells. And therefore, radio stations will put it on. But that doesn't mean that you can't do something else and also make it sell.
I was listening to radio and it plays only Bollywood. This is something I hate about radio stations. There's so much other beautiful music out there.
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