A Quote by Big Narstie

The danger is that the artists who'll put grime into the commercial and public eye will put grime at the back of their closets and jump on another genre of music. — © Big Narstie
The danger is that the artists who'll put grime into the commercial and public eye will put grime at the back of their closets and jump on another genre of music.
Grime is a particular style of music. You've got electro, funk and garage; grime is its darker side. It's constantly evolving.
Grime don't mean nothing, we never called it grime. It's just a word someone associated with us. I wouldn't say all my music's grimy.
I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.
We don't need Kanye to spit on grime instrumentals to show grime is great.
People often link grime with other things, like street culture, and clashing, and MC battles and whatnot. But no one's ever talked in misogyny in grime. That's often linked to hip-hop, I know people talk about that is a problem in hip-hop. But not grime.
Grime 4 Corbyn? I just don't know what I'm supposed to feel about that - does he even listen to grime?
I just wanted to make music, and grime wasn't exactly the path that I took naturally. It was something that was put on me as a label.
Beyonce's 'Bow Down,' to me, that could be a grime tune. If it's electronic and 140-ish bpm, and people go crazy to it, to me, that's grime.
Grime's always been big at festivals. Grime's always had an underground crew.
Grime must be its own genre.
People can't look down on grime anymore, it's an established British genre.
Becoming a commercial scene? I don't think people in grime would be happy about that.
I'm happy that grime remains underground. A lot of people talk like it's some underrated or ignored genre, but to me, that's the beauty of it.
If you grew up in London's East End you'd probably be inclined to be into something like grime music. But if you're removed from it, like in Guernsey, you can have a wider set of influences, and you're not tied down to any genre or any scene. I think that affects my sound, for sure.
Now, [hip-hop/grime artists] Stormzy, Skepta, or the Section Boyz have to be validated by Drake, Rihanna or Beyoncé. They're rolled into this one urban culture bubble; it's not really to do with, "I'm specifically f - ked off about my country and what's going on in my town." We're very much only showing success to artists who impress American artists, and I'm one of them.
I know a lot of grime artists started off on pirate radio, but I missed that era; I was way too young.
This site uses cookies to ensure you get the best experience. More info...
Got it!