A Quote by Big Sean

Sometimes eight chains go together really well, depending on the length - how short they are, how small they are. — © Big Sean
Sometimes eight chains go together really well, depending on the length - how short they are, how small they are.
I like to write short stories more because I never met a writer who wasn't lazy. And a short story is, by its very definition, short. It is something that generally you can turn out in a week to two weeks depending on how well it goes for you. But, at the same time, it gives the same satisfaction of creating a complete world.
It is not nearly so important how well a message is received as how well it is sent. You cannot take responsibility for how well another accepts your truth; you can only ensure how well it is communicated. And by how well, I don't mean merely how clearly; I mean how lovingly, how compassionately, how sensitively, how courageously, and how completely.
Sometimes you have to go up really high to understand how small you really are.
Sometimes you have to go up really high to see how small you are.
You get this overview effect where you realize how small we are and how fragile our planet is and how we're really all in it together. You don't see borders from space, you don't see diversity and differences in people on Earth.
How can time be long or short? Time is without length or breadth. The question is, what happened during its passing. And what happened is, our lives have been joined together.
Believe me, I go and go, 'cause I know how short life is, and I know how very blessed all of us are to be here and how very short it is.
There's no limit to how much you'll know, depending how far beyond zebra you go.
The goal is to learn more about telomere length and other markers of ageing, how best to measure these markers, how they are related to health and lifestyle, and how people respond to learning their own telomere length results.
In the end, just three things matter: How well we have lived How well we have loved How well we have learned to let go
You really have to act on the force, too. You're involved in a hundred things a day, and you have to react in a hundred different ways, depending on what's going on. And you learn that as you go through your career, how you handle certain situations, interrogations, how you carry yourself. There's a kind of acting to it.
When the idea came up, (Newman's Own) I said, "Are you crazy? Stick my face on the label of salad dressing?" And then, of course, we got the whole idea of exploitation and how circular it is. Why not, really, go to the fullest length, and the silliest length, in exploiting yourself and turn the proceeds back to the community?
It used to be that you would go into a writing program and what you would learn was how to write a short story. You would pick up the magazines and you would be taught from the magazines how to write a short story. Nowadays student writers are learning to write novels because that market is gone, so the ones who are drawn to the form are doing it really for reasons of their own and that's really exciting.
I'm sixty-eight years old. What I do now will be read by unborn generations for hundreds, perhaps thousands, of years. For me, it's not about my work - that is, it's not about Wayne Dyer's work, how much money I make, how well I do, or how well my products do.
It's been a wild ride. I hope people can appreciate how special it is to see the people that ran well today; how special and sometimes fleeting greatness can be even from yourself. I gave it everything I had and for a short period of time I did very very well and I'm very proud of that and I'm leaving it at that. I did the best I could.
I have a lightsaber at my front door for home protection. I have an 800-watt electric skateboard that I use to run errands in my neighborhood. It can go about six, seven miles, so depending on how much time I have, and how much I have to carry home, I'll take it really far. I love that thing.
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