A Quote by Big Sean

There's a lot of shoes that people consider high-end fashion, from Balenciaga to this and that or whatever, and the Pro Models are very similar to me. They're very fashionable to me - the design and the shape of them. I just like them.
I like the new shoe designers. Not all of them - there are really bad ones too. But I go to the colleges with these kids for lectures, as an honorary professor or whatever, and this Chinese girl I like very much who I give the award to says to me, "You don't know how much you inspired me to do shoes." And I'm glad that I convey that kind of desire to people when they see my bloody shoes.
A fashion photographer is nothing without clothes and hair and makeup. And when I speak to other photographers, a lot of them can't reference a picture by the designer. Me, I say, 'The Balenciaga.' And I go to the shows. I feel like it's my business.
This is very much my philosophy as a fashion designer. I have never believed in design for design's sake. For me, the most important thing is that people actually wear my clothes. I do not design for the catwalk or for magazine shoots - I design for customers.
I went to art and design high school with a lot of people taking fashion. They would get up in the morning, and what they put on meant a lot to them.
When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.
I acted out a lot. I was very nerdy. I was very isolated, which I made up for by kind of talking and trying to entertain people and get them to like me, so I did theatre and improv in high school and college, but always as a hobby.
I'm a real Londoner. We have very grey weather in London, and I think it encourages a very eclectic and crazy fashion sense. I mix high-street stuff with more high-end fashion and vintage.
I'm a real Londoner. We have very grey weather in London, and I think it encourages a very eclectic and crazy fashion sense. I mix high-street stuff with more high-end fashion, and I love vintage.
I probably have over a hundred pairs of high-heel shoes. I collect them. Over however-many years, from, like, the mid-'80s on - yes, I'm that old - I've been in drag several times in my life, and I collect a lot of stuff, and I do have a lot of high-heel shoes that I'm sure a lot of people would be jealous about.
It's very strange that people would consider me a fashion muse but it's also flattering. I try to just be myself, and wear what's comfortable and makes me feel good.
I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.
I kind of like to keep it very minimal. I get a lot of products sent to me, and I like to try them, but I end up just literally washing my face and putting on moisturizer and toner.
I am excited to partner with Aeropostale for my very own collection. It was a great experience to be able to work with them. Not only did I get to design an entire fashion line, but I got to do it at a great price point with quality clothes, both of which are very important to me.
I teach voice, and I teach pretty much just, like, whatever people need. So if they want me to work on a monologue with them, or if they want me to do some work with them, I do that. And then I do master classes, like at high schools - which is my most favorite thing to do.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
I listen to a lot of what my sister Rhea says. I give her a lot of credit for my stuff. When people give me credit for my fashion choices, it's my sister who creates them. This whole fashionable avatar has been created by her. It's her brainchild. It's not me at all. Rhea really takes care of me, though I am older than her.
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