A Quote by Big Sean
I'm really vulnerable onstage because it's just me. I'm not really trying to put up a front or act a certain way.
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It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
I don't really have a realistic life. Anyway, I am a schizophrenic so there two persons in me. Because I am the person I put on for the public and the person that I am really . . . deep inside me. So I have to cover it all up with . . . glamour and all that bullshit . . . make-up . . . glamour, dresses, color, etc., etc. . . . trying to hide a very . . . fragile person, really . . . very vulnerable to attack.
In films, you are a commodity. You are a look, something that the camera really likes, something that has struck an audience in a certain way. It's not really so much about transforming yourself the way actors do onstage. I think there's a difference between the skill of acting in movies and onstage.
Along with the good qualities, if someone isn't vulnerable I can't be around them to a certain extent. And I don't mean vulnerable to me or vulnerable to me in a sexual way. I just mean vulnerable, period.
[To have Faith in Christ] means, of course, trying to do all that He says. There would be no sense in saying you trusted a person if you would not take his advice. Thus if you have really handed yourself over to Him, it must follow that you are trying to obey Him. But trying in a new way, a less worried way. Not doing these things in order to be saved, but because He has begun to save you already. Not hoping to get to Heaven as a reward for your actions, but inevitably wanting to act in a certain way because a first faint gleam of Heaven is already inside you.
One of the findings that really interests me is that, although we think we ACT because of the way we FEEL, we often FEEL because of the way we ACT. So an almost uncanny way to change your feelings is to act the way you WISH you felt.
For Adam, screwed-up bonding thing or not, I’d wait forever. “Really?” he asked in a tone I’d never heard from him before. Softer. Vulnerable. Adam didn’t do vulnerable. “Really what?” I asked. “Despite the way our bond scares you, despite the way someone in the pack played you, you’d still have me?” He'd been listening to my thoughts. This time it didn't bother me. “Adam,” I told him, “I’d walk barefoot over hot coals for you.
I feel like I have a job to do, like I constantly have to reinvent myself. The more I up the ante for myself, the better it is in the long run. I try to interact with my fans as much as possible. It's good that the person I'm being onstage isn't really an act. It's really me.
I really enjoy surfing a lot. It's an awesome sport. With surfing there are no mind games versus Peyton Manning, or versus anyone else. It's not me trying to throw a certain shot put further - or to put a ball in a hoop, it's just me against mother nature.
I don’t think there’s any such thing as male objectification…I think that word exists only with women because there are societal pressures for them to behave a certain way and to look a certain way. Someone put it to me once: Women are sex objects and men are success objects. That was really interesting to me.
[ Lenny Kravitz] is really handsome, and I know I should be objective and think about his music, but up close, he is a really good-looking guy. He was hugging me while I was trying to go to a video, and I completely... You turn into a giddy girl, and it was just horrifying, because he really smelled good, and just the whole package... It's just too much.
Directors tell me what to do, and I kind of just put my own twist to it, just to get inside my personality that everybody doesn't really get to see - my off-the-court interests and the way I act. It's just me.
For me any moment in front of a crowd is embarrassing, because I can't stand being in front of people. I'm probably one of the worst public speakers. I try to avoid it, but there are times when it's just too rude not to do it. But there really isn't a moment that's not embarrassing for me if I'm going to stand up in front of a crowd.
I remember clearly that when I was little it was explained to me [that] the way that babies were made was that God put the baby into some lady's stomach, right? And, at some point, I learned how it really happened, and really that was the beginning of the end of my belief in God. Up until that point, it had always been a really weird act of intervention on God's part.
I spend my whole life trying to put up a front to prevent people from seeing certain parts of me. Weirdly, when I go to write, I feel like I have to expose it, almost compulsively.
I try to just put a blank stage in front of them, and say, "This is your space; you tell me where you're coming from and where you're going." At a certain point, it was interesting as the project started to become what it is now, The Source, which has a physical installation and also an online presence. As we started building the installation, I started thinking, "It's really strange that we're building this installation, this piece of architecture you can go into." It's almost strange because I suppose it's an artwork, but it's an artwork that's really constructed out of ideas.
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