A Quote by Big Sean

In the studio, I always put on National Geographic for inspiration. Looking at lions eating gazelles, all that type of stuff. — © Big Sean
In the studio, I always put on National Geographic for inspiration. Looking at lions eating gazelles, all that type of stuff.
America has this understanding of Africans that plays like National Geographic: a bunch of Negroes with loincloths running around the plain fields of Africa chasing gazelles.
The process is always the same. I get an inspiration for a new song, I put it down on paper immediately so I won't lose it. When I am ready to go to the studio with it, I play it a few times on the piano and edit, add, and type the lyrics and take it to the studio. Sometimes I don't have anything on paper.
I grew up looking at National Geographic. I always wondered who was taking the photos and how.
I love National Geographic. Just when you think you've seen the last lost native tribe, National Geographic will find a new one.
Gazelles didn't lie down with lions, at least not unbloodied and alive.
National Geographic has awesome stuff. I like Court TV. Sometimes I'll watch Reality Mix because they have some interesting stuff on that.
I've always tried different stuff in the studio. I use rakes, spoons, cans... I'm a surround-sound type of guy.
I remember when I first got the call from Beyoncé to work on the project, and the mood that she was in and she was feeling, she wanted New Orleans-inspired music to be incorporated to the stuff she was doing. Creole-type stuff. Zydeco... She wanted that type of inspiration.
Though Geographic didn't publish that photo in the story that it was done for, "The Life of Charlie Russell," a cowboy artist in Montana. But later, maybe a year and a half ago, they named it one of the 50 greatest pictures ever made at National Geographic.
I like learning new stuff, also, and I can sit there and watch shows on National Geographic and the Discovery Channel or stuff like that and learn something new. I think once you've gone through such a long stage of learning one thing, you're not as well-rounded as you'd like to be.
I've got a lot of wonderfully talented, creative directors I've worked with in Texas, but the market we're in, they kind of have to write to that. I think we've done some cool, simple spots. I was very comfortable in Texas, and getting ready to push out into national stuff, try to get to that national-type creative, and then I got sidetracked with this stuff.
I never slept very well when I was playing. Looking back, I was always suffering with depression and mental illness-type stuff I didn't understand.
Super polished signage is not always a good sign. I'm always looking for places that you have to know about to find. Also, just food-wise, if I'm eating ethnic cuisine - I hate that phrase, but still - If I'm eating Mexican food, I'm looking to see that there are Mexicans in the restaurant. They know if the food is being made right.
I don't actually have a one wellspring of inspiration. Though I'm most often inspired while reading - both fiction and nonfiction. I subscribe to National Geographic, Scientific American, Discover, and a slew of other magazines. And it is while reading articles for pleasure and interest that an interesting 'What if?' will pop into my head.
I'm always looking to develop my sound and I'm in the studio whenever I have the time to do this. Always looking ahead!
My cousin Georgia says that boys are like gazelles. She says the get alarmed when they get close to girls. And they have to leap off into the woods like gazelles in trousers. Or have I just made that up?
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