A Quote by Big Sean

My white girl Veronica, black girl Monica,
Got me celebrating Christma-Hanu-Kwanzaa-kah,
Rocking dashikis with a yarmulke. — © Big Sean
My white girl Veronica, black girl Monica, Got me celebrating Christma-Hanu-Kwanzaa-kah, Rocking dashikis with a yarmulke.
The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl.
I don't think I have the stomach Veronica has. I think I have the determination and the stubbornness and a little bit of the go-get-em. But I think I'm about 20 percent more girl than Veronica is. There's a lot of Veronica that hits home with me, the sort of feisty area. But I think that I have a little bit more girl. I'd scream my head off if I saw a body in the freezer.
Deep down inside, I'm really a black girl stuck in a Mexican girl's body. But I'm also in touch with my inner white girl and my inner Asian girl. I feel like a little bit of everybody.
I'm a white girl and not a white girl, identified by other people as black and not black for as long as I can remember - which, in mixed-people speak, means biracial.
In the forties, to get a girl you had to be a GI or a jock. In the fifties, to get a girl you had to be Jewish. In the sixties, to get a girl you had to be black. In the seventies, to get a girl you've got to be a girl.
I didn't have the easiest childhood. I was never the popular girl in school growing up. I was always the lone black girl or the lone fat girl or the long tall girl, so that has made me more compassionate to all people. It also gave me the drive and ambition to go after my dreams in a big way.
No matter how cutting-edge Hollywood may seem, it is still delayed in how it views people: If producers do not perceive me as an Iranian girl, then I cannot play an Iranian girl. If you aren't perceived as a full black girl, then it makes it more difficult to play a black girl on TV.
I read this book when I was young. It's about a black girl growing up in Heaven, Ohio. The cover has a black girl with clouds behind her. It was the first book cover I ever saw with a girl that looked like me.
It's a bummer interracial love is still such a big deal. To me, it's quite normal. I grew up seeing couples that were interracial. Who cares if it's a black guy and white girl, or an Asian guy and white girl, etc.? Odds are, every combo exists out there somewhere so why not put it on the screen? Shouldn't art imitate life?
I would love 'Awkward Black Girl' to be on television, with the right team of people who understand and get it. If 'Awkward Black Girl' could make it to HBO starring a dark-skinned black girl, that would be revolutionary.
'Playing like a girl' was used as a demeaning term instead of an empowering one. I am proud to be a girl and rocking the ice.
Dating a white girl is like dating a black girl if she were really passive-agressive.
A little black girl yearns for the blue eyes of a little white girl, and the horror at the heart of her yearning is exceeded only by the evil of fulfillment
I've always been 'other' in all the spaces that I've been in. Even when I first moved to America, just the idea that I was a dark-skinned black girl from England with an accent. It's one thing to be a black girl, but it's another to be a dark black girl. I was chastised for that. I was chastised for the way I spoke.
Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.
Yes, 'Black Girl/White Girl' might be described as a 'coming-of-age' novel, at least for the survivor Genna. It is also intended as a comment on race relations in America more generally: we are 'roommates' with one another, but how well do we know one another?
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