A Quote by Bijou Phillips

Music is real; it's something you can touch and feel. — © Bijou Phillips
Music is real; it's something you can touch and feel.
Music is real; it's something you can touch and feel. It moves you - the bass literally shakes you and rocks you from the inside. Music makes your soul feel amazing while you're performing it. It's not air, it's not wind, it's not anything like that. It's solid. It's thick. It's like summertime in New York.
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
I try to make music that's really real. I've always liked music that makes me feel something. I'm not a brain first, music second person.
Life comes when you have knowledge, wisdom, and understanding, when you can see for real, touch, and feel for real, know for real. Then you are truly living.
Hip-hop from the beginning has always been aspirational. It always broke that notion that an artist can't think about money as well. Just so long as you separate the two and you're not making music with business in mind. At some point, it has to be real when they touch it, when they listen to it. Something has to resonate with them that's real.
As readers, we want not only a strong story, but also characters we can relate to, characters that feel real. We have to find something of ourselves in them. Each character, even those only there to serve the mechanics of the plot, should have a number of layers. The entire world you are stepping into as a reader must feel real. It must have resonance, you must be able to touch the light; smell the smells.
Do you have to feel something for it to be real or mean anything? Can you touch your dreams, taste your imagination.
The real world is where I get to educate and entertain myself. I go and touch the real world and touch real people. That's my way into movies.
I never wanted to do music to get girls, right, to get popular, or anything like that. I really love music and I want to make it better the best I can. I can tell when something's real, or when something's put together. I can just feel it. So I'm my own worst critic and harshest critic and I just want to put honest music out there.
An administrator in a bureaucratic world is a man who can feel big by merging his non-entity in an abstraction. A real person in touch with real things inspires terror in him.
I don't feel drawn to lightness, I need something more. I feel that - oh, I hate saying this, it sounds so wanky - but I feel a real urge to give voices to people we don't usually hear from in real life.
A true music, that is to say, spiritual, a music which may be an act of faith; a music which may touch upon all subjects without ceasing to touch upon God; an original music, in short, whose language may open a few doors, take down some yet distant stars.
The reason I play music is to touch people - for selfish reasons, as well. It feels good to make someone else feel something, whether it's a kiss, a painting, good idea or it's a song.
I have the ability to go back to the old days with the boys and remember what it was like playing music. I have that real connection to the feeling of playing music as a young man. I do. I can almost touch it.
I don't feel a real need to specify the meaning of something. When I was little and I was introduced to Led Zeppelin, I didn't know what a zeppelin was or who Zeppelin was or what the machine was. The real meaning is whatever feelings and memories you attach to the music.
Oftentimes I feel like I can, through the music, paint a picture of something that I can't look anywhere and see in my real life.
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