A Quote by Biju Menon

When audience expect only humorous roles from me, my roles will become cliche and predictable. — © Biju Menon
When audience expect only humorous roles from me, my roles will become cliche and predictable.
Being an actor, I feel I need to take up challenges and do different roles without thinking about whether the audience will accept me in those roles or not.
If I am not excited about a project, then how do I expect my audience to watch my film? Give me good roles, and I will be working round the clock.
I want to do different kinds of roles and work on good scripts because doing the same kind of roles is boring - both for me and the audience.
There is such a cliche to certain roles that all I can do is to try to make them realistic and work for the times, and so the audience actually won't see me as a caricature of something, but rather as an actual person.
Studio heads seem to be getting the message that there is not only an audience out there, but there is a desire for people to see people of colour in central roles and in authoritative roles.
People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
People like you in negative roles, they want to see you only in negative roles and thus you get typecast. At the end of the day, what matters is whether the audience loves you or not.
George Hearn taught me that you learn that there are roles that are Tony roles and roles that are not.
As an actor, you should always keep your trump card hidden from your audience. I want the audience to keep expecting more and more from me. I want to do 'different' work - good and memorable roles - so that audience appreciate me more. That's why I love to surprise my audience with something they never expect me to do.
All of us are playing roles, and there's nothing wrong with playing roles because we have to live in this world - the problem is only when we believe in those roles.
Roles that involved, whether it be training, whether it be physicality, getting skinny, there's some investment. There are roles that you do like that and sometimes there are roles that you do to make sure your family doesn't starve, but then you have to still say, "Is there something I can do with this? Can I do something with this that will be fair to the people watching it and fair to my time as well?" I'm at the point where that luxury of choice is getting more and more for me, absolutely, but it's more primarily roles that are more demanding of me in every way.
I don't pick my roles based on what clothes I have to wear. I pick roles because of the character I have to portray, and the public have enjoyed seeing me in those roles.
I liked the character very much and even in general roles like this entice me. I started my journey in Punjabi film industry with negative roles, and then gradually comic roles and situational comedy fell into my kitty.
I'm an actor and I am looking for roles where I can continue to evolve, and things that are challenging. I gravitate to the roles, not necessarily television or film. It's just the fact that, for me, the most interesting roles have been in television.
I could play Arab roles, even German roles, Italian roles because I had that look.
We're in crisis mode as black actresses. It's not only in the sheer number of roles that are offered and that are out there, but the quality of the roles. The quality - and therein lies the problem. We're in deprivation mode because me, Alfre and Phylicia, we're in the same category. Whereas if you take a Caucasian actress, you have the one who are the teens, in their 20s, 30s, 40s, 50s - they're all different. There are roles for each of them. But you only have two or three categories for black actresses.
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