A Quote by Bill Anderson

In Nashville, as in every other city, there's no substitute for hard work. — © Bill Anderson
In Nashville, as in every other city, there's no substitute for hard work.
There is no substitute for hard work. There is a little luck along the way, but there is no substitute for really super-hard work, first in, last out.
There are no shortcuts. If you feel good, you'll look good, you'll play good. Work hard every day. No matter what your strengths and weaknesses, there's no substitute for hard work.
There is no substitute for hard work, 23 or 24 hours a day. And there is no substitute for patience and acceptance.
I feel like, genre-wise, the walls are coming down in Nashville. There are so many writers who have moved to town from all walks of life. There's this immense respect for country, but there are pop songwriters, R&B. Nashville has become sort of this go-to writing city for every genre.
There is no substitute for hard work. If you're looking for the easy way, if you're looking for the trick, you might get by for a while, but you will not be developing the talents that lie within you. There is simply no substitute for work.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
There's no substitute for hard work. If you work hard and prepare yourself, you might get beat, but you'll never lose.
Every film is hard work, and a few lucky people do get Oscars for what they do, and it's recognition for all that hard work on a certain level. If you didn't do the hard work, you wouldn't be standing there. On the other hand, people do a lot of hard work and don't get Oscars, so it's a mixture of glory and injustice at the same time.
Nashville has become sort of this go-to writing city for every genre.
When I went, I hadn't had very much time to have hopes or expectations. I knew very little about Nashville, and I think that was probably good. When I was there, I got really lucky - I ended up with people that just were amazing musicians, and that's the Nashville that I experienced. That is a big part of Nashville - there's a lot of musicians, and that makes it a very special place and shapes the city.
Every training session you take part in, you have to work very hard and train hard because there is no other way to get where you want to be - it's not a secret and not a magic formula - just hard work and application.
I didn't come to Nashville to put on a cowboy hat and pretend to be a country singer. My attraction to Nashville as Music City is the variety and flexibility: the fact that there's so many musicians at your disposal, so many amazing studios and talented people that you can draw from. ... I try to be myself, but at the same time I'm learning a lot, and I'm pulling from not only from the well of inspiration that I'm getting from Nashville, but I'm pulling from my roots.
I'm really just tryna bring it home for my city, I'm trying so hard to be the best I can be on every record I do, every feature I do and every different city I go to.
I had never heard much about Nashville before coming out here, and that's why it's so surprising, because I'm the biggest enthusiast on the city of Nashville now. I'm looking for a place out here to live.
I think that my biggest attribute to any success that I have had is hard work. There really is no substitute for working hard.
My publishing deal is out of Nashville, my management is split between Nashville and Texas, but we are also getting to play eight other states as well as Canada and Europe this year. I don't want to pigeon-hole myself. When people ask me if I'm Texas or Nashville, I tell them I am just Cody Johnson.
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