A Quote by Bill Ayers
There was one moment when J. Edgar Hoover and us had the same distorted lens about who we were - "a real threat," you know? He thought so and we thought so and we were buddies in that regard.
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I had not been very kind to J. Edgar Hoover. And the field agent had written on - it was sent directly to Hoover - that - the director should see this - `And, besides, Hentoff is a lousy writer.' And I thought that went a bit far.
I just kind of had my own impressions growing up with Hoover as a heroic figure in the 40s - actually the 30s, 40s, and 50s and beyond - but this was all prior to the information age so we didn't know about Hoover except what was usually in the papers, and this was fun, because this was a chance to go into it [ during filming 'J. Edgar Hoover' ]
If I had stood at the free-throw line and thought about 10 million people watching me on the other side of the camera lens, I couldn't have made anything. So I mentally tried to put myself in a familiar place. I thought about all those times I shot free throws in practice and went through the same motion, the same technique that I had used thousands of times. You forget about the outcome. You know you are doing the right things. So you relax and perform.
I have great respect for the FBI, and I know that there have been some rumors lately that the FBI was disenchanted because of what we were doing in story, or doing a certain take: that's not true. Actually the FBI was tremendously enthusiastic about us doing [ J. Edgar Hoover ] film.
By 1967, J. Edgar Hoover had concluded that the Black Panther Party had replaced the Communist Party as the gravest threat to national security.
It's an incredible education [for the movie J. Edgar Hoover] . It was like I did a college course on J. Edgar Hoover but not knowing and understanding the history and reading the books, but understanding what motivated this man was the most fascinating part of the research.
I thought they loved me, and they would scarcely have known it if I had died. All through our troubles, I was comforted with the thought that the brethren in Maulmain and America were praying for us, and they have never once thought of us.
I grew up Presbyterian. Presbyterians thought the Methodists were wrong. Catholics thought all Protestants were wrong. The Jews thought the Christians were wrong. So, what I'm financing is humility. I want people to realize that you shouldn't think you know it all.
The ideas embodied in the New Deal Legislation were a compilation of those which had come to maturity under Herbert Hoover’s aegis. We all of us owed much to Hoover
I would far rather over-estimate the threat [imposed by the Patriot Act] and be proven wrong than to underestimate the threat and wake up one morning in a world where the 21st century's J Edgar Hoover has the power to blackmail anyone in America.
My role models were Amelia Earhart and Eleanor Roosevelt, and my major crush was J. Edgar Hoover.
I had a guy at the Groucho bar clawing at my arm nearly in tears saying that until he saw The Departed he thought Americans were the ones on TV. I didn't know you had accents. I didn't know you had a class system. I didn't know you were like us. To which the answer is, probably only where I grew up, but while we're at it don't watch television and think it's the United States of America.
Breakfast Club was great because we had a real rehearsal, and we shot primarily in sequence. I thought that was going to be how movies were done. I didn't really know how lucky we all were. We had a director that liked actors. I didn't know that was going to be rare.
When we were making it [Star Wars], none of the effects were in. So the first time, I thought it was, you know, that - I mean, we were surrounded by English crew members that could hardly keep themselves together. They were, "Here comes the guy in the dog suit." They made fun of us, which was OK. But the first time I was sitting in a theater, and I saw all the effects in, and the big ship flew over the audience, and the sound rumbled, I pretty much thought we were close to home.
The charged life, then, usually calls to us after we have done what we were supposed to do, become who we thought we were supposed to be, lived as we thought we were supposed to live. Then the safety and comfort and compromise get to us, and a stirring of restlessness and revolution sends us off in search of greater adventures and meaning. From THE CHARGE
For 'Frost/Nixon,' I had eight people who were present at those interviews - they were all in the room - and when I interviewed each of them, they had a totally different narrative of events, to the degree where you thought, 'Were you all really in the same room?'
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